A Quote by Stefon Harris

Miles Davis is a major influence of mine in terms of the way that I am as a bandleader. — © Stefon Harris
Miles Davis is a major influence of mine in terms of the way that I am as a bandleader.
It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.
Interestingly enough Miles Davis was an influence, and the way he approached harmonics. And one of my biggest influences was Dionne Warwick, early Dionne Warwick.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
My first ambition in life, I made up my mind I was going to become Miles Davis. I studied music, music theory. I played trumpet for nine years. One day, my mother explained, 'You can't be Miles Davis. There's one, and he's got that job.'
Because of my register, Miles Davis' trumpet playing has always been a big influence on my singing. I've always been intrigued by the way he can start anywhere and make it right.
I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.
I went to North Texas State, one of the great jazz schools. When I realized I wasn't going to be Miles Davis, I switched my major to English and theater.
I am a music freak. My tastes run the gamut from Willie Nelson to Metallica to Miles Davis.
Maybe it's wishful thinking, this snaggly faith of mine, or maybe it's Miles Davis saying, Don't play what's there, play what's not there.
So much of what I create has been due to the influence of Miles Davis and Donald Byrd, and so many of those that have passed on. Their music, their legacy lives on with the rest of us because we are so highly influenced by their experience and what they have given us.
Marlon Brando was the major influence in my life, though I never met him. And my father - we didn't get along, but he was an influence in terms of honesty and work ethic. That's the greatest compliment I could pay him.
For me, a wake-up playlist completely depends on what mood I'm in. If I need to get into action pretty quick, it will be between Beyonce and Miles Davis. I'm a massive Beyonce fan, and all of her anthems will do it for me. And Miles Davis, because I grew up hearing his music because my dad played it a lot, so that will always be special to me.
Miles Davis is my go-to for music. There's something so relaxing and ambient about it, and it can be a little manic in a good way.
Miles Davis had been in retirement for five or six years and he was coming out of retirement and he was looking for young guys. Somebody gave him my name and he called me and said, "Can you show up at Columbia Studios in two hours?" I'm like, "Whoa, is this the real Miles Davis?" He's like, "Yeah." So I showed up and yeah, it was intimidating, but music is so important to me that the intimidation was all before the notes started.
The next film I have is called Miles Ahead, which is about Miles Davis, during a five-year period in his life during which he's struggling to figure out which direction to go musically and in his life. I play a record executive who's there to try to get Miles to collaborate with one of my clients. I'm excited to see that.
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