A Quote by Stella Adler

Acting is in everything but the words. — © Stella Adler
Acting is in everything but the words.
Let's be honest: Ignoring is acting, and nothing more — acting as though the words or actions of your oppressors don't hurt. You hear the words, you feel the insults, and you bear the blows.
Acting is everything to me and it's at the core of every decision. Whatever importance costumes, details, lights, camera, dialogue and everything else have, if the acting is bad, cheap, or overdone everything else is just gone.
Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
Words are everything to me. Words can build you up and feel so good. On the flip side, words can absolutely demolish you.
Before acting, I was always attracted to words, to literature - be they the words of Williams, Arthur Miller, Shakespeare or Moliere.
I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.
I was a student of Stella Adler and then later Lee Strasberg, and they were into sensory work. At its best, acting is not about words - even when the words are important.
It's fun being able to suit up and go and kick butt and not have to worry about memorizing dialogue. It's a whole different way of acting because you're not depending on the words at all, you're really depending on everything else that you have.
Writing is not like acting, where you can pull these little stunts that create a particular effect. Words are all it is about, and the way you use words has to be individual and particular to you.
OTT platforms have opened up a whole new area to explore in terms of content, writing, acting, everything. But I'm not really very comfortable with the four-letter cuss words in all languages, which are now used liberally; I'm a bit old school.
Ah, whimsical. It's terrible the way words get attached to you like barnacles. As is what I do is acting on a 'whim'. If only these were gifts from God when I get an idea, but everything I have done that I really love has had a lot of hard work behind it.
I'm trying to get good message out to the people. It's like the scriptures because you know what the scriptures are in the bible. Words of Jah, words of Christ, words of Rasta and everything that's righteous are in the scriptures unto I and I.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I put a lot of stock in the written word, and the power of it. That's what I love about acting and reading scripts. Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.
When I'm onstage doing standup, no one yells "Cut!" or tells me what to do. I'm DeRay, and I use my own words. With acting, you're portraying a character with someone else's words. Still, you definitely want to inject a little of yourself into every role.
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