A Quote by Stella Maeve

I am constantly playing younger. I have a baby face. I'm only five-foot-one, so I am used to playing younger. I love it. — © Stella Maeve
I am constantly playing younger. I have a baby face. I'm only five-foot-one, so I am used to playing younger. I love it.
I can play younger. It's better to be playing younger because you've got that experience, and it's hard to play older when you're younger.
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
I love when I am not typecast. I've been acting for 50 years. I was such a baby face; I was playing children until I was in my 30s, which frustrated me enormously. Now that I am 65 and getting to play women in their 50s, I am getting paid back for having to play children for so long.
Men are boys for such a long time and really don't start getting the great roles until they're in their mid-thirties. But then they've got a long time to do them, whereas for women, it's all about playing younger and younger and younger.
I have a really adaptable face, but when I am just being me, people always think I am younger than I am.
I know that I am old, because even if I think I'm younger than everyone - but that's true - my way of hoping and continuing is that I am always in a younger position than the other one.
I used to hide it but after a lot of encouragement from my friends at university, I've gained the confidence to come out with it. I am the sun from Teletubbies. There has been quite a few people pretending to be 'the sun' but only I could tell you the real story. Everyone says they can see the likeness between my face now and me as a baby. I still have a baby face. I haven't changed much either. I am still giggly.
I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything.
I've had opportunities to step foot on the grounds and play Augusta and watch the Masters. But I always, since I was a kid, I always told myself I am never going to set foot there unless I am playing and a participant.
I used to like playing No. 10 when I was younger, so I enjoy that role. But as I developed, I had to stay on the wing.
I'm starting to shake it off, I am quite self-conscious, and it's only when I'm playing roles that I can escape that. The older I get, the more people tell me it's absolutely fine to be the way you are with all your quirks and nuances, and I wish I'd learnt that younger - I would have relaxed a bit more.
It was always the cliche of men leaving their wives for younger women. The playing field is sort of even now. Women make their own salaries. They can do the exact same thing and can have a younger man.
I do see, in some younger writers, elements and things that I have used - and I am very touched and flattered because I am part of a tapestry that is being absorbed by authors.
When I was younger, I used to think ahead too much, and that would make me lose concentration in the match I was playing.
I don't like to lose, no matter what I am playing. Football, tennis, head tennis, no matter what. If I am playing something, I am playing to win.
When I was younger, the red carpet used to terrify me because it's not about playing a part: you're not in a film pretending to be someone - you are yourself. It's intimidating.
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