A Quote by Stella McCartney
I loved all those Doris Day visuals of her being a tomboy and then changing into this gorgeous girl in a ballgown.
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From an early age, I was very interested in all things fashion... and the change from tomboy to ultrafeminine glamour in old films. There was a Doris Day film I loved: 'Calamity Jane.'
They were grooming Doris Day to take over the top spot. Jack L. Warner asked me to play her sister in one picture. I said, "Come on, Jack. No one could ever believe that I would have Doris Day for a sister."
I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.
But then the girl moved, and smiled, and pulled her hand from the grate- a gorgeous green stone clutched tightly in her grasp. It was covered with dust and cobwebs, but it was uncracked and unharmed. And, of course, completely fake.
My mother was not a country girl. She was a Brooklyn girl, born and raised in Flatbush, and then a Long Island girl, who liked shopping, 'a little glitter' in her clothes, and keeping secret the actual color of her hair, which from the day I was born to the day she died, was the 'platinum blonde' of Jean Harlow's.
I like to look like a tomboy during the day and then a pin-up girl at night.
Drinking and drugging make it so your reality flies away from you. Your body and your mind are not present. I loved that feeling as a kid. For me, the strongest way to have that feeling was love and sex. Not only did I enjoy it - that feeling of being transported - but because I was so boy-identified, first as a tomboy and then as a girl who liked to sleep with boys.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
But what I did know was that I loved a girl. And I knew I loved her in a way I'd never, ever recover from. I knew I loved her to the very core of myself. And I knew she loved me back.
All those rumors about her being underweight are trash. She's [Calista Flockhart] gorgeous.
Doesn't matter whether it's a teen girl who's pregnant, hasn't told her parents, or an elderly couple dealing with one of them being diagnosed with Alzheimer's. Those are real people to me. Those are the people I dealt with every single day.
And yet he had loved her. A Bookish girl heedless of her beauty, unconscious of her effect. She'd been prepared to live her life alone but from the moment he'd known her he'd needed her.
I loved being on the other side of the camera. I loved watching another actress in the spotlight, do an extraordinary job, and I loved making her beautiful and interesting, protecting her emotions, and showing people her talent.
Ready-to-wear is what I've wanted to do since the beginning. ... I'm not a girl who spends my life in a ballgown
As a dancer I couldn't outdance Ginger Rogers or Eleanor Powell. As a singer I'm no rival to Doris Day. As an actress I don't take myself seriously...I'm the girl the truck drivers love.
He loved her, he loved her, and until he'd loved her she had never minded being alone.
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