A Quote by Stella McCartney

I like doing slightly masculine, Savile Row tailoring. A nice jacket. Wearable - it's almost a dirty word in fashion, wearable, but that's what I do. — © Stella McCartney
I like doing slightly masculine, Savile Row tailoring. A nice jacket. Wearable - it's almost a dirty word in fashion, wearable, but that's what I do.
To call a fashion wearable is the kiss of death. No new fashion worth its salt is ever wearable.
If you look through the history of wearables, I was named the father of wearable computing, or the world's first cyborg. But the definition of wearable computing can be kind of fuzzy itself. Thousands of years ago, in China, people would wear an abacus around their neck - that, in one sense, was a wearable computer.
If it’s not edible, it’s not food. If it’s not wearable, it’s not fashion.
As the novelty of wearable tech gives way to necessity - and, later, as wearable tech becomes embedded tech - will we be deprived of the chance to pause, reflect, and engage in meaningful, substantive conversations? How will our inner lives and ties to those around us change?
I do love fashion as a mode of self expression, and I appreciate it for being wearable art.
Fashion is about affordable luxury ... To succeed, designers need to be affordable, wearable, accessible, and aspirational.
I like the dream, like fantasy dresses. Women can dream at 9 in the morning and at 10 o’clock at night, it doesn’t matter. I think it is also important for me to make it pragmatic and practical and wearable. I always say, 'If you can’t eat it, it’s not food, and if you can’t wear it, it’s not fashion, it is something else.'
Doing exercise without monitoring yourself will be rare in the future of wearable technology.
You can see that ladylike kind of dressing with a twist coming back at Dior, and I think that a lot of the fashion is following in those kinds of footsteps. It's wearable. It sits in your wardrobe forever.
Tailoring was considered to be a world that was very traditional, and basically going out of fashion. Fashion designers did not have a real link with tailoring or tradition, so I fused the two worlds together.
With Spurr, I like to think we're a modern, European-influenced brand that does luxurious, handcrafted, and wearable pieces.
I do think that fashion may end up being the 'killer app' for wearable augmented reality systems. This is in part because it's not simply task-oriented - like finding a restaurant or where your friend is currently lounging about - but experience-oriented. It becomes part of your life.
Once, as an experiment, I travelled around the world with a single suit. Before I left, I went to a tailor in Savile Row and asked him to make me a suit that I could wear in any climate and which I could use as a tuxedo, a dinner jacket, a lounge suit and a blazer.
I'm on an Isabel Marant kick. She does an amazing job of making things that are everyday-wearable but also special and a little bit different. I definitely like that she has a '70s western vibe. There's something that's very fun and vintage in what she's doing.
In Europe, where human relations like clothes are supposed to last, one's got to be wearable. In France one has to be interesting, in Italy pleasant, in England one has to fit.
Self-tracking using a wearable device can be fascinating.
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