A Quote by Stella Vine
I do have a very, very big problem with someone who saw me coming and exploited me as a mascot.
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And wow! Hey! What's this thing coming towards me very fast? Very very fast. So big and flat and round, it needs a big wide sounding word like... ow... ound... round... ground! That's it! That's a good name - ground! I wonder if it will be friends with me?
The Philippines is very important to me strategically and militarily. And I've had numerous conversations with the leader of the Philippines and - and he's got a big problem. He's got a massive drug problem. He's been very, very tough on that drug problem, but he has a massive drug problem.
Brock Lesnar is a big challenge for me because he's a big guy: very, very strong, very, very powerful, very, very fast. I like the challenge. Brock Lesnar, for me, would be a very good fight.
Travelling as extensively as I do... the take away for me has made me very humble and very sympathetic to other people's plight in the world and very desirous of being proactive in being part of a solution somehow and not part of a problem. It's made me very patient and very grateful for where I live.
Whenever someone comes up to me saying, 'I saw you in 'Carlos' and then I saw the rest of your movies,' for me, it's an expression that we might be doing something well. So my life hasn't changed that much. I just try not to go to very crowded places if I'm not in the mood.
I'm a very lucky guy. I had so many people help me over the years that I never had many problems. If I had a problem, I could sit down with someone and they would explain the problem to me, and the problem become like a baseball game
I'm a very lucky guy. I had so many people help me over the years that I never had many problems. If I had a problem, I could sit down with someone and they would explain the problem to me, and the problem become like a baseball game.
DiMaggio was never a rube. He was very smart and very urban. Coming out of the Great Depression, he was the immigrant boy who made it big. Coming back from World War II, he had all the wealth and power that New York aspired to. When New York saw itself as the center of the world, he was its paragon of class.
When I was in Wuhan, I went to the art school, which was one of the most important art schools in China, an enormous art school. One of the things that I saw is that the schools are very big and there are so many students. It is very difficult to me to teach creative activity to great numbers of people, because I think you need personal contact with students, you need to speak individually, you need individual contact between teachers and students, you need continuity. To me this is a problem in mass education in every society now.
I'm very happy to be a part of a very successful piece of art, as the 'Saw' films have been. One gets into this to participate. It's the coming together of a good story. So, that aspect of it has been just splendid. It really has nothing to do with me or my popularity. I'm fascinated.
When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'
My family knew I was gay when I was 15, long before I got famous. But it's a very different thing coming out to your family and coming out to the universe. That's a big step. Maybe without me, there wouldn't be Adam Lambert. Without Bowie, there wouldn't be me. Without Quentin Crisp, there wouldn't have been Bowie. So everything is part of a big daisy chain.
In the beginning, I was very punk. I was very revolutionary. When they asked me to do Givenchy, I didn't want to do it. My friends pushed me. But the situation with my family was so bad financially. I really did it because, when they told me how much they would pay me, I saw that my sisters and my mom could have a better life.
Jeph (Loeb) will call me with updates, and I'll go, "Are you f--king with me?" I never saw this coming, and certainly never saw it coming while I was still coherent and in the game. That's the difference between me and the previous generations. (Legendary X-Men writer) Chris Claremont had to wait decades before his s - t was on the screen.
I think the greatest thing we give each other is encouragement...knowing that I'm talking to someone in this mentoring relationship who's interested in the big idea here is very, very important to me. I think if it were just about helping me get to the next step, it would be a heck of a lot less interesting.
My parents wanted me to be a doctor, and they weren't very happy at the idea of me choosing acting as a career. Everyone in my family went to university - my older brother is a lawyer - but when they saw me for the first time at the theatre, they thought, "OK". They like it very much now.
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