A Quote by Stella Young

For me, in some ways, my whole life is a bit performative and always has been - because I'm stared at and looked at everywhere I go. — © Stella Young
For me, in some ways, my whole life is a bit performative and always has been - because I'm stared at and looked at everywhere I go.
It's a very performative thing, grief. As with so much in modern life, I think there's a whole performative layer to what we do because we feel like there's a private TV show viewing our lives.
I stared out the window the whole way, because it was raining, which is how I like the city best. It looks like it's been polished up. All the streets shine and lights from everywhere reflect off the black. It's like the whole place has been dipped in sugar syrup. Like the city is some kind of big candy apple.
So in some ways my life, my background has been isolating and I think I'm a bit more scared as a person. I don't walk alone or in the dark. If I go out the driver will wait for me to go into the house.
To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.
Being short, I believe people looked and stared at me my whole life before I ever got on stage and rapped.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
It's been amazing to play the same character through so many adventures. And it's so strange because my life has changed so much over these years, but 'Twilight' and Edward Cullen will always be a part of me. It's been my whole life. My whole 20s. And I wouldn't have it any other way.
Have I ever told you how sexy your brain is?" "Finally! A man who wants me for my brain." "I want all of you. Each individual part and the sum of them all. I want you for everything you are and everything you will ever be. I will never have enough of you, because there's no such thing." He stared right into my eyes, and I couldn't have looked away if I'd wanted to. I was trapped, and never in my life had I been so happy to be caught. "I will never let you go again.
I'm world famous, everywhere I go there are people who love me because of I've been able to bring them some joy from the movies I've made.
As he passed me, he leaned to Curran and handed him a paper fan folded from some sort of flyer. Curran looked at the fan. “What?” "An emergency precaution, Your Majesty. In case the lady faints.” Curran just stared at him. Raphael strode toward the Pit, turned, flexed a bit, and winked at me. "Give me that,” I told Curran. “I need to fan myself.” "No, you don’t.
Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
I think the biggest thing is kind of working everywhere and working with different people that, when I did walk through the door at WWE and looked around, I didn't really feel that out of place because every second face I looked at is somebody I've known for over a decade or worked with or I've been around in some capacity in the industry.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
My whole background was with bands, so I always thought of "fashion" as performative. It took me a long time to bridge the gap between my music and what I was studying in school, [which was] dance and being a performer.
People have always talked about me. People always made fun of me, my whole life. It's always something that's been there. I learned to deal with it at a young age. And as I grew up and it became more prevalent in my life, I was able to control it because I was prepared for each step.
That was the day my whole world went black. Air looked black. Sun looked black. I laid up in bed and stared at the black walls of my house….Took three months before I even looked out the window, see the world still there. I was surprised to see the world didn’t stop.
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