A Quote by Stella Young
From time to time, people pat me on the head. It happens on public transport, in the supermarket, in bars. It's a common enough occurrence that it very rarely takes me completely by surprise.
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It seems to me divorce is so common now. It ought to be more institutionalized. It's like a head-on collision every time. It's supposed to be a surprise but it's commonplace.
My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.
To become a world-class university takes a lot of time. There are simply no shortcuts. People tend to assume, and I have encountered this sort of thinking all over the world, that if they just sink enough money into a university, it will emerge in a few years as a first-class institution. But such rapid growth never happens. It takes time; it takes generations.
When you think about me talking to Rick Santorum or Pat Buchanan or one of these old guys, part of what makes that a joyful experience for me is that in my head I'm thinking, He has to talk to me. Like, poor Pat Buchanan, all the things you've done and you end up having to talk to me.
I am an actor. Let me act, let me audition. Let me show what I can do. You need to surprise yourself every time and that will surprise the audience or casting person.
You know the only thing for me, obviously the routine was completely different, but I had plenty of time getting loose. I threw enough pitches, took my time. Tried to time it out as best I could.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
Once a film is shot, the thing that mostly happens is that I go see all the things I would have fixed in my performance and sometimes, very rarely, I see a moment that surprise me and I go, "Oh, that's not bad. That was nice."
Actors want to surprise themselves. When it's really good, you kind of transcend yourself, and that happens infrequently. Very, very rarely.
I know I haven't spent a lot of time with my children because my job takes me all over the world and takes me away from my children, but I've given them a good education and security. If anything happens to me, my children's future is well-secured. So I think I've done well as a father.
We all have our prejudices, and we may or may not be aware of them. Sometimes people walk by me and give me a wider berth. It happens. I wear hoodies all the time because my head gets cold. Something innocuous can be misunderstood.
A head start is rarely large enough to matter, and time spent in stealth mode-away from customers-is unlikely to provide a head start. The only way to win is to learn faster than anyone else.
BMX riding breaks down racial perceptions. Coming from New York City and being a BMX rider, that isn't something that's too common. I feel like for the longest time, I would ride through certain neighborhoods and people would call me a "white boy" because they associated white boys from California with BMX riding, and it bugs me so much because I'm completely not that. I completely don't fit that mold. It's really important for me to bring BMX riding to the masses and show people exactly what it is.
My dad one time told me, he was like, 'The only time you should lie is when someone's holding a gun to your head and says 'Okay, lie or I'm going to shoot you.' And that really stuck with me. I think about that a lot. I used to not be really honest with girls and then I dropped a song called "Starry Room" and then I started turning over a new leaf. Now, I'm completely honest with girls all the time and they just get mad at me.
During one of his uncannily well-timed impromptu visits to my restaurant, Union Square Cafe, Pat Cetta taught me how to manage people. Pat was the owner of a storied New York City steakhouse called Sparks, and by that time, he was an old pro at running a fine restaurant.
It's interesting what happens when you take on a role, I think. What happens to me - without sounding too spiritual or too hippy, I guess - what happens, most of the time, you do a lot of research, and you get into the character, and at a certain moment, it's like the character takes over.
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