A Quote by Stellan Skarsgard

One of the beauties of 'The Girl with the Dragon Tattoo' is the very delicate and strange relationship between the two main characters. — © Stellan Skarsgard
One of the beauties of 'The Girl with the Dragon Tattoo' is the very delicate and strange relationship between the two main characters.
I especially don't like the graphic violence against women and children often depicted in novels such as 'The Girl With the Dragon Tattoo' and others. I'm not sure if it's being done just to entertain or whether it really is necessary for the characters involved.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.
I think 'The Girl with the Dragon Tattoo' is a good example of a film where you have to juggle a whole lot of information to follow that story, and even if you haven't read the book, it seems to go pretty well. And that is a film where the characters didn't meet until 74 minutes into the film, not on page 17.
I got halfway through 'The Girl with the Dragon Tattoo.' I don't get it at all. What's the big thrill? It's boring.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
The thing with 'The Girl with a Dragon Tattoo' is that is it's like an Agatha Christie plot, and an investigating journalist is also a classic character.
I'm going to do a sequel to 'The Girl with the Dragon Tattoo' and this one is called 'The Girl in the Spider's Web', which is an American production. It's a clean slate: new cast, new director and everything and they're skipping from book one to book four.
On 'Girl With the Dragon Tattoo,' I spent two or three months learning how to ride a motorcycle. I wasn't really riding the motorcycle in 98 percent of the movie, but the shots of me getting on and off had to look like I had been doing it for years and years.
The relationship between the United States and Mexico goes over and beyond the relationship between two governments. This is a relationship that has been built as of two peoples who have a common life, or millions of people who have their everyday lives in both nations; a relationship that undoubtedly involves millions of inhabitants of both countries.
Dragon fruit is very subtle, very delicate. So you want to be careful not to kill it with things that have very strong flavor.
With her first Oscar nomination for her portrayal of Lisbeth Salander in 'The Girl with the Dragon Tattoo,' Rooney Mara gave fashion fans a new Gothic-chic muse.
With her first Oscar nomination for her portrayal of Lisbeth Salander in The Girl with the Dragon Tattoo, Rooney Mara gave fashion fans a new Gothic-chic muse.
I take all my characters very seriously - the main, secondary, and supporting characters. Even if they only appear once, they still need to have their own life. Some characters are absent literally but at the same time very, very present.
The relationship between me and President Mandela right at the beginning was not a very well-established relationship. It was based on two meetings.
I have this very strange relationship with my work, which is that it's like a conversation between me and it.
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