A Quote by Stellan Skarsgard

The first time I did a big American film, I was surprised by all the different financiers who came to the set and told the director what to do. — © Stellan Skarsgard
The first time I did a big American film, I was surprised by all the different financiers who came to the set and told the director what to do.
Oh, what the hell did I know? I went to the set the first day in full makeup and the director told me to take it off. So I did the film without makeup. I had nothing to do with anything I did. I never understood why I was so famous.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to write that kind of sound.
The first time I visited Chennai was in 2013, July, I think. I came here to meet the director of my first Tamil film, Pa Ranjith for 'Madras.' We did a test shoot and I left the same evening. I didn't get to explore the city much at that time.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
As a first time director it's interesting, but not all that different from what I did before. A lot of parts of this job seem to be very similar to running a big company.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
My first film was a big dud at the box office, and my second film did decently. I used to wonder how it would feel to have a hit film. I thought I'd be larger than life, but I'm not feeling anything I imagined. It's a completely different experience.
Every time I make an American film I just trust the American director and American writer. Myself, I would never make this kind of film. For me, those kinds of films are ridiculous. They don't make sense.
For me, it was watching 'Reds' and 'Splendor in the Grass.' To me, 'Splendor' is like the companion piece to 'Rules Don't Apply.' It's set in the time when Warren [Beatty] came to Hollywood, and when he did that first film.
The very first picture that I did, the director came up to me on the street - I was 14 at the time - and asked me if I would be in a short film that he was doing called 'Pigen og Skoene,' which means 'The Girl with the Shoes,' which is a funny title but that is how it is.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
When I first was on Big Time Rush, the TV show, I did a lot of silly things. Among the first episodes that came out, my buddies wanted to have a viewing party, so we turned it into a drinking game. Every time I did something dumb, we took a shot. We were hammered!
When I came to know that director Sujoy Ghosh wanted me for a role in a Hindi film, I was very surprised. I had never met him before.
I did a film called 'Nightfall,' based on Isaac Asimov life, which was directed by an American director. However it was a short film.
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