A Quote by Stellan Skarsgard
My preparation for roles are less about the character's profession than who they are, what their dreams are, and in what way are they childish.
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I am giving this winter two courses of lectures to three students, of which one is only moderately prepared, the other less than moderately, and the third lacks both preparation and ability. Such are the onera of a mathematical profession.
We don't live for realities, but for the fantasies, the dreams of what might be. If we lived for reality, we'd be dead, every last one of us. Only dreams keep us going...When you are acting, don't settle for anything less than the biggest dream for your character's future.
Life as a performance is just a way to look at life choices as character choices. Every morning you choose what to wear, you choose how to wear your hair, you choose your friends, you more or less choose your profession, and how hard you will work at it. Those are all things that an actor decides about his character when he is performing, and they are things that we decide in life. We create our "character."
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
The real preparation for education is a study of one's self. The training of the teacher...is something far more than a learning of ideas. It includes the training of character; it is a preparation of the spirit.
I reckon I've done my bit. I want to enjoy myself a bit now, with less responsibility, less frantic rushing about, less preparation, less trying to think of something to say.
Challenges are what inspire me. I therefore accept whatever comes my way, be it supporting roles or character roles.
Preparation is definitely important, but it depends on the kinds of roles I do. Like, I completely identify with my character in 'Yeh Jawaani Hai Deewani.' I had to be myself and I didn't have to actually prepare for it.
It's the same kind of preparation you do for something like this you do for anything. It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
One must be rich in thought and character to owe nothing to books, though preparation is necessary to profitable reading; and the less reading is better than more;--book-struck men are of all readers least wise, however knowing or learned.
The character truest to itself becomes eccentric rather than immovably centered, as Emerson defined the noble character of the hero. At the edge, the certainty of borders gives way. We are more subject to invasions, less able to mobilize defenses, less sure of who we really are, even as we may be perceived by others as a person of character. The dislocation of self from center to indefinite edge merges us more with the world, so that we can feel blest by everything.
It's true in the beginning I started playing villains, and I think that's pretty clear, because if you don't conventionally look a certain way and you've got a certain kind of presence when you're young, then what's available to you is character roles, and the best character roles when you're young tend to be villains.
Jason [Sudeikis] is a successful actor and comedian, I don't think that he takes comedic roles any less seriously than he does dramatic roles.
All my roles are character roles. On the other hand, there are those people who have an inner...I think we all do the same thing. You can't get by on aura alone. That I know. Everyone has to dig in. Everyone has to do the same set of, "What is this about? What is this character doing?" Everybody from Spencer Tracy to Brad Pitt to Jeffrey Tambor.
I didn't want to do character roles because when you are doing comic characters, you only get character roles.
...[W]e should be mucking about all the time, because mucking about is enjoying life for its own sake, now, and not in preparation for an imaginary future. It's obvious that the mirth-filled man, the cheerful soul, the childish adult is the one who has least to fear from life.
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