A Quote by Stellan Skarsgard
Most of my acting in general is about what's going on in the head, and the lines are just something that comes out.
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When I'm improvising, I'm out of my head. I've done a lot of projects recently where there hasn't been a script. It's all been based on outlines. At first, that's terrifying, just because you don't have the words in front of you and you don't know how it's going to come out, but that's what's really exciting about it. You don't know what's going to happen. It really forces you to listen to the other people, and I think the most natural acting comes out of that.
The enemies of acting are mood and attitude and other general homogenized disruptive entities. Whereas acting is about action - doing - and unless you can figure out a way to craft in an imaginative reality to which you don't submit, you're going to be out of control. You'll flip out. The job is to be surprised.
No matter what kind of significance leads you do, you learn a lot from doing schlock. The setup's the same, only you have to work twice as hard to make it the best as you can make it. And a lot of acting is not about acting but technology. Are you standing in your light? Are you out of your light? And if the sound guy's near you, please don't put the coffee cup down at that moment, because you're covering your lines. All of that stuff's going on in your head, so you learn a lot by doing whatever. In my view, never worry that something's not prime - A, number - one stuff.
It's really about living in your head... just looking out at the world, then going back into your head and tossing around a lot of ideas and coming out with something interesting to say.
Acting, in general, is something most people think they're incapable of, but they do it from morning to night. The subtlest acting I've ever seen is by ordinary people trying to show they feel something they don't, or trying to hide something. It's something everyone learns at an early age.
I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.
I'm just looking for things to steal [on working with great actors]. It's like going back to acting school. When you're around people that do it well and you get your head out of your ass, you can really learn something.
I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
That's the joy of acting, to bring something to it. That's what makes acting exciting. Just saying lines is not terribly exciting.
I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.
I thought acting was just going on and remembering all of one's lines.
Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
I should also say, in general, I just drank a lot. I shouldn't characterize it as "to get the courage to perform." It was just an in-general nighttime activity. It definitely made it easier when I started doing stand-up. It was just much simpler to do a couple of shots. It made my nerves go away, for the most part. It just was something I sort of relied on for about the first four years.
Acting is many things. Acting is playing lines, of course, but it's much more profound than that. Acting is truth-telling and trying to find the truth in a human situation, which will be sketched out by a screenwriter with all the skill that a screenwriter can do; but in the end, that's just the map of the journey.
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
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