A Quote by Stendhal

A novel is like a bow, and the violin that produces the sound is the reader's soul. — © Stendhal
A novel is like a bow, and the violin that produces the sound is the reader's soul.
If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
The darkness enveloped us. All I could hear was the violin and it was as if Juliek's soul had become the bow. He was playing his life...He played that which he would never play again.
Another reason I think the novel will survive is that the reader has to work in a novel. In a film, you are presented with someone else's imagination exactly bodied out. The marvelous thing about a novel is that every reader will imagine even the very simplest sentence slightly differently.
The subject of the novel is reality liberated from soul. The reader in complete independence presented with a structured process:let him evaluate it, not the author. The façade of the novel cannot be other than stone or steel, flashing electrically or dark, but silent.
It was pitch dark. I could hear only the violin, and it was as though Juliek's soul were the bow. He was playing his life. The whole of his life was gliding on the strings--his last hopes, his charred past, his extinguished future. He played as he would never play again...When I awoke, in the daylight, I could see Juliek, opposite me, slumped over, dead. Near him lay his violin, smashed, trampled, a strange overwhelming little corpse.
Identify the moral dilemma driving the novel. the successful novel will haunt a reader because it deals with some ethical or moral dilemma that makes the reader wonder what he or she would do in the protagonist's place.
Yet everything that touches us, me and you, takes us together like a violin's bow, which draws one voice out of two separate strings.
He lifted the violin to his shoulder then, and raised the bow. And he played.
You never want to be in a position where your reader feels like you're passing judgment on your own characters. Any novel where you feel like the author is talking to the reader over the characters' heads is in a bad place.
A lot of solos I hear sound so incredible, but they sound like somebody practicing. They sound a bit soulless - fiery, but at the same time, lacking in spirit and soul.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
Compose aloud: poetry is a sound. Never explain- your reader is as smart as you. Your reader is not just any reader, but is the rare one with ears in his head.
A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.
The soul is like a violin string: it makes music only when it is stretched.
A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give.
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