A Quote by Steph Houghton
We've had to pay to play. We've had to borrow kit. We've had to train on a Friday night. Maybe a lot of boys, given that opportunity, would slip away, whereas we've had the mentality to go, 'I really want this. I'm going to show that I can do this.'
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I wasn't a 'Battlestar' fan, but I had a lot of respect for the show. I had a lot of friends who worked on the show, and I had seen a few episodes. but I was more attracted to it from afar, from the respect and awards it had received to the loyal viewership that it had. That piqued my interest a lot when the opportunity for 'Caprica' arose.
That was a really interesting series [Threshold ] that I think would've been really great had it continued. I know Brannon Braga, who was running the show at the time, had a lot of really interesting ideas for what was going to happen the second, third, fourth, and fifth seasons, and they had it really planned out what was going to go on. But CBS just decided to pull the plug on it.
A long time ago, we had to build interfaces to connect with other companies, and I thought that was a great idea. The company had to pay a lot of money to build it and basically launched it, but our whole operating system almost broke. So, we couldn't continue it. In the end, I had to go on the train to Paris to explain that I had spent millions.
I had this mentality that I had to go out to everyone's show so everyone at the end of the week would come to mine - that I had to go out and rub elbows, find exposure. A small part of that is true. But if something is good, people will notice when you put it out.
I was terrible in my first play. After that experience, I had to face that I wasn't good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.
I went through the natural process that most actors go through. I brought myself out here, had an audition on a Wednesday; then had a call-back on Thursday, had a call-back on Friday and I had it by Friday afternoon.
I was terrible in my first play. After that experience, I had to face that I wasnt good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.
But they (the infantry) had no use for boys of twelve and thirteen, and before I had a chance in another war, the desire to kill people to whom I had not been introduced had passed away.
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
Actually it was easier than you'd think. We were the guys who had the opportunity to play for something. Only 26 players on the eight teams had that chance. We would wake up in the morning and have a reason to train. We are able to have four weeks to play at this level. Since the first day our policy was not to talk about the labor situation. Our goal was to win. We'll enjoy it for one night. Then the reality of the owners locking us out sets in.
When I was at Villa and I was captain there and I had the opportunity to go to City, it played on my mind I wouldn't be as pivotal. So initially I didn't want to go, but a lot of things happened behind the scenes and I realised I had to go.
I would hope that people would feel that they achieved a greater opportunity in life living here in California than they had prior to when we came in. That they had a better opportunity of getting better education.That they had a better opportunity of getting a job once they had an education or training. And that overall, that their quality of life had improved.
Because John Cassavetes was so terrific in live TV, a lot of his friends had not been able to participate in that yet and so they asked if he would gather with them at night when I was at the play and tell them what live TV was like, what you had to adjust to because it was its own medium - it had many things you had to be aware of.
I recalled how a lot of my older siblings would go to a friend's house and borrow records to play and sometimes borrow a turntable because we didn't have a turntable in the house until I was 8, about the same time we had a TV.
He had not a cent in his pocket, but he had faith. He had decided, the night before, that he would be as much an adventurer as the ones he had admired in books.
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