A Quote by Steph Houghton

You have to be able to shut out everything else, all the distractions and criticism. There's a lot of work that went on off the pitch, a lot of conversations, to make that happen.
When I'm on the pitch, I'm happy. I can shut everything else out.
I shut down social media because I needed to shut out online distractions and engage with the people, issues, and work right in front of me.
Being independent isn't as flashy as a lot of people may think. It's a lot of hard work; its a lot of investing your own money. And to creatively time to make your day work - it's on you to make it work, and no one else.
First of all, a lot of people, a lot of women and men, have lost their children. I'm not the only one. But I happen to be blessed that my son gave me all these things to work with so that I get to work out my grief in a way that other people are not able to. So I can't possibly be downtrodden about that.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
Definitely, doing my solo stuff, it's fun in a different way. I get a lot more say. However, there's a lot more work to do because I have to make everything happen.
On the pitch we tend to forget the things that happen off the field. I try to focus a lot on what I'm doing.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
There were a lot of times that I'd rather be hanging out with friends, or out at a show, but instead I stay home and work on music. It's important to me that I make a lot of work and have a lot of variety and change for myself, because of the kind of personality I have. I have to bring my best self and my best work to the table.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
Football is about sacrifice, dedication, a lot of work, and friendship off the pitch.
I need to be coming off the pitch every game with my voice gone, and that's something I can bring. I am just someone who likes to organise, make sure everything is well organised, because that makes it a lot easier for yourself too.
That's part of this industry. It's hard a lot of the time, especially when you get knocked down a lot. There's a lot of criticism and it's always in the back of your mind that you may never work again.
I've gotten to the point where I'm comfortable guarding any position on the floor. It just didn't happen overnight. It came with a lot of work, a lot of film study and everything.
I've been able to do a lot of things in the movies. I've been able to run with the buffalo, you know. I've been able to pitch a perfect game in Yankee Stadium. I've been in the bathtub with Susan Sarandon. I've had a lot of chances to do a lot of things. I enjoy sports, but I enjoy sports so much to the point that I wouldn't do the movie unless I thought it had a chance to be good.
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