A Quote by Stephan Pastis

Repeats are the absolute soul-crushing killers of the comics page. — © Stephan Pastis
Repeats are the absolute soul-crushing killers of the comics page.
The main difference between illustration and comics is that comics are much, much more work. Every comics page is the equivalent of six to nine illustrations.
Comics are not theatre - there's a very important difference in that the reader controls the page. You can linger on a page of comics as long as you want. You can read and go forward and then move back; you can reread, in one sitting or at your leisure. You can take as much time as you want to take in that story.
I saw the comics in the East Village Other, and they weren't superhero comics, they were all about hippies and all about things hippies were interested in. And there was one page in particular, a full page strip called "Gentle's Trip Out" signed "Panzika", and it was totally, totally psychedelic, and really, I don't know if it made any sense at all but it looked so great, and I thought, "This is what I want to do, this is my big influence," and it was.
Television is very dangerous. Because it repeats and repeats and repeats our disasters, instead of our triumphs.
"The Universe repeats itself, with the possible exception of history." Of all earthly studies history is the only one that does not repeat itself. ... Astronomy repeats itself; botany repeats itself; trigonometry repeats itself; mechanics repeats itself; compound long division repeats itself. Every sum if worked out in the same way at any time will bring out the same answer. ... A great many moderns say that history is a science; if so it occupies a solitary and splendid elevation among the sciences; it is the only science the conclusions of which are always wrong.
Writing a new film about cereal killers. Not serial killers, cereal killers. The main character can eat two, three boxes at a time.
Repeats are the worst, and 'Peanuts' was the one that started that. They don't rerun the news, do they? They don't repeat any other part of the paper. Why do they do it in the comics?
I think there are things that digital can't do as well as print thus far. Even an iPad is only 80% the size of a standard comics page, so the images are going to be smaller. You don't get your big, whopping two-page spreads.
One of my favorite things, coming of age, reading comics, was these ideologies and these philosophies of these characters. Seeing those on the page really represented in amazing ways some of my favorite 'Batman' comics like 'The Killing Joke' or 'The Dark Knight Returns.'
A couple of female standup comics I know refer to their kids as their Little Career Killers. I was like, I really do not want to feel that way.
Only when creation stops can we find the Absolute. The Absolute is in the soul, not in creation. So by stopping creation, we come to know the Absolute.
We reduced the size of our front page code by about 50%, and by using absolute positioning, we are able to display important parts of the page before other parts may have fully loaded yet.
In prayer the soul comes nearest the experience of absolute love: in belief it ascends by means of symbols towards absolute truth.
Maybe your history just repeats and repeats until it batters you enough to snap the seams that hold you together
We are in a period called post. In previous periods, anti-Semitism was always direct. Today's anti-Semitism isn't direct. If you say today that the Jews are absolute evil, or Israel is absolute evil, you must say Israeli is committing genocide against the Palestinians. It is very rare to find a Western politician who repeats these things.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
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