A Quote by Stephanie Beacham

When I got into the Royal Academy of Dramatic Art, a doctor told me to give up the course as I'd be totally deaf within a couple of years. But I refused to give in. — © Stephanie Beacham
When I got into the Royal Academy of Dramatic Art, a doctor told me to give up the course as I'd be totally deaf within a couple of years. But I refused to give in.
I went to the Royal Academy of Dramatic Art because it was the only drama school the social worker had ever heard of. Luckily, I got in at the first attempt.
I had a teacher/director at the Royal Academy of Dramatic Art, where I trained for a year, named Mary Duff, who taught me practically everything I know.
I Googled every actor from my favorite film 'Annie.' Albert Finney was also from Manchester and he went to the Royal Academy of Dramatic Art - so I auditioned there, too.
I wanted to be a cartoonist, but there was no cartoon academy. So I enrolled in the Royal Danish Art Academy School of Architecture. But then I really got smitten by architecture.
I had an extraordinary belief in myself. For years people told me to give it up and even though I was poverty- stricken, I never thought I should give it up.
I decided to take a stab at acting. I entered the American Academy of Dramatic Art, where one teacher told me I'd never make it - I was too tall.
There were certain young actors I had trained with at the Royal Academy of Dramatic Art who had always got the big parts and I was always the spear-carrier. Suddenly the roles were reversed and I couldn't understand why, and nor could they.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
You can ask the people around me. I don't give up. I don't give up. I don't give - and it's not out of frustration and desperation that I say I don't give up. I don't give up because I don't give up. I don't believe in it.
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Juilliard and the National Institute of Dramatic Arts in Sydney, Australia.
You can't give up on me. If you give up, then I'm going to break into a million pieces. I'm here. I'll give you everything I've got.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
Perfection I've lived with the pretense of perfection for seventeen years. Give my room a cursory inspection, you'd think I have OCD. But it's only habit and not obsession that keeps it all orderly. Of course, I don't want to give the impression that it's all up to me.
Every year my boss used to give me a bottle of expensive brandy because I'd told him that my doctor suggested a drink once in a while. This year my boss gave me the name of a new doctor.
It is explained that all relationships require a little give and take. This is untrue. Any partnership demands that we give and give and give and at the last, as we flop into our graves exhausted, we are told that we didn't give enough.
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