A Quote by Stephanie Beatriz
I love stories that exist in this amped-up, personal world - sort of like 'Pee-wee's Big Holiday,' actually. That world really only exists inside that movie, but what a wonderful little world it is.
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I was going to go to a midnight screening of 'Pee-wee's Big Adventure' in college, and it's the sort of thing where people dress up. So I got dressed up, and then I got lost. I was speeding, and a cop pulled me over while I was wearing a Pee-wee suit. That's a hard ticket to get out of.
The thing I always liked about 'Pee-wee's Big Adventure' was Pee-wee's, obviously, an oddball, but nobody in that universe points a finger at him and goes, 'Look at the weirdo!' I think that's why weirdo, arty kids like it so much: because it's sort of like a utopia.
I don't really care where I work, actually, because you know making a movie is like living in movie world. There's such a secluded world, and the director is the king ruling the country, and everybody's building this little town to speak in symbolism.
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'
I grew up loving Pee-wee Herman. I was obsessed. I was the kid at school who everyone knew was obsessed with Pee-Wee.
I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me. I knew very extensively a lot about World War I.
I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.
Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn’t look for harmony but would simply live in it. Art is born out of an ill-designed world.
The world exists only when we think about it; creation stories are for children. In reality the world is created every moment.
I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me.
Everything about 'Adventure Time' is the purest form of kid's play. A kid does not live in the Land of Ooo. That is one of the wonderful things about the show; it doesn't pretend to be real. That was the great thing about 'Pee Wee's Playhouse'; it existed in a world completely outside any reality a kid recognized.
What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.
I realized that there's a big world, and really, the only way you can make a critical impact on something greater than your own little world is through technology.
If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.
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