A Quote by Stephanie Coontz

In my work as a historian and in my relationships as a friend, teacher, wife, and mother, I have come to think that the most useful way to understand the past and make it work for you is to look at the trade-offs and contradictions that, however deeply buried, can be uncovered in every memory, good or bad.
to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.
My first memory was of stories about the past - a past that, according to the storytellers, was superior in every way to the life then being lived. It didn't take me long, however, to understand that the present was all we had, for the past was gone, and nothing could be done about it.
I kind of fell backwards into acting. I was studying to be a high school teacher. I look now and I understand completely, or actually barely, how much work it is to be a teacher. It's an incredible amount of work.
I was afraid the teacher was going to make me read in front of class and I was going to look bad. [But] if I wasn't dyslexic, I probably wouldn't have won the Games. If I had been a better reader, then that would have come easily, sports would have come easily. And I never would have realized that the way you get ahead in life is hard work.
I could stay depressed about my bad memory, but that's a negative way to live. Let's look on the bright side and list the advantages of having a bad memory. (1) You can reread a book and see a movie over and over and enjoy it as much as the first time. (2) If you make an inconvenient promise, you can pretend that you forgot about it and still be forgiven. (3) This is the most important thing: you can keep coming up with ideas without being held back by convictions or the past.
You have to look at the body of work you're doing and then figure out the best way for people to digest it. You want people to come in and listen to all of it and understand the entire project. I think it's bad when everyone's like, "This is how you have to do it."
Eventually, we need to have computers that work differently from the way they do today and have for the past 60-plus years. We're capturing and generating increasingly massive amounts of data, but we can't make computers that keep up with it. One of the most promising solutions is to make computers that work more the way brains work.
I have had relationships that have not worked out in the past, my marriage didn't work out technically in the past but I look back at all my relationships with great love and affection.
You want to be confident when you work out because it takes a lot to make you work out. So many women really enjoy it, but it's a hard thing and you have to make yourself do it most of the time. I think you want to feel that you look good to make you want to work out a little bit more.
It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.
The world of psychology and the world of normal life tends to look down on obsession. It's not good for you, and certainly not good for your relationships. It's not good for a lot of things, but it's the only way to make a work of art.
I think it's important for an actor to see the work they've done because every time you revisit a work you come up with a new way of improving it. It's a good way to brush up your craft and your skills, so I think it's a good thing to do, keep seeing your films.
I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.
Father is my Defender (Hero). Mother is my Teacher. Sister is my Counselor. Wife is my Savior. Children are my Fighters. Then what is the role of my Friend? Friend is my Motivator in life.
When you give up a bit of work don't (unless it is hopelessly bad) throw it away. Put it in a drawer. It may come in useful later. Much of my best work, or what I think my best, is the re-writing of things begun and abandoned years earlier.
I've done my best to work from a place of humility - always looking over your shoulder saying, 'Does this suck?' and I think that's a good way to work. The other way to work is where you start to think, 'I'm on fire, I'm amazing!' and I don't think that's the way to work.
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