A Quote by Stephanie Coontz
In the 1970s, family history wasn't yet thought of a serious field for study. I was terrified of being laughed at by other historians. I called my book 'The Social Origins of Private Life.' It should have been 'As Pompous as You Want to Be.' Every sentence was academic jargon, and if I said X, I qualified it with Y.
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It's an academic book, and it's discussed under academic criteria. German historians cultivate so-called objectivity. They persuade themselves that they can switch off the subjective and therefore the unsettling.
The philosophy that I have worked under most of my life is that the serious study of natural history is an activity which has far-reaching effects in every aspect of a person's life. It ultimately makes people protective of the environment in a very committed way. It is my opinion that the study of natural history should be the primary avenue for creating environmentalists.
The novel since its origins has been the privatization of history... the history of private life ... and in that sense every novel is an historical novel.
I can remember being in right field in Yankee Stadium and fans armed with media guides called out my family by their names and said absolutely unrepeatable things. I laughed to myself and it never bothered me.
In the post-Soviet era, the most interesting work on the Stalinist period has been social history, far beyond the Kremlin walls - the study of what one of its leading practitioners, Sheila Fitzpatrick, in her book 'Everyday Stalinism,' called 'ordinary life in extraordinary times.'
I called up and said, 'Dad, I won a MacArthur.' My father goes: 'I always thought your sister would win that,' and I said, 'Dad, just say congratulations and keep your private thoughts private.' At that point he laughed, then burst into tears, and it was obvious that he was so happy and proud.
Historians of a generation ago were often shocked by the violence with which scientists rejected the history of their own subject as irrelevant; they could not understand how the members of any academic profession could fail to be intrigued by the study of their own cultural heritage. What these historians did not grasp was that scientists will welcome the history of science only when it has been demonstrated that this discipline can add to our understanding of science itself and thus help to produce, in some sense, better scientists.
What is qualified? What have I been qualified for in my life? I haven't been qualified to be a mayor. I'm not qualified to be a songwriter. I'm not qualified to be a TV producer. I'm not qualified to be a successful businessman. And so, I don't know what qualified means.
There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.
I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it.
I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too.
I don't see why a book shouldn't be intellectually sound, entertaining, and fun to read. Historians who write academic history, which is unreadable, are basically wasting their time.
With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.
When I first quit my day job, I was terrified. I called my editors and said I'm trying to make a go of this, and they threw every contract at me they could. And for two years, I had a book or an anthology out every month.
If Facebook gets your entire social graph, you don't necessarily want to share everything with your entire social graph. You might wanna parse that social graph. So there's a company called PASS that is a private social network that I personally use for my friends and my family.
A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.
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