A Quote by Stephanie Corneliussen

My job as an actress was to be a good scene partner to Martin Wallstrom, who plays Tyrell Wellick. — © Stephanie Corneliussen
My job as an actress was to be a good scene partner to Martin Wallstrom, who plays Tyrell Wellick.
I don't like the word celebrity. If I become a good actress and be in movies where I'm expected to be a good actress, who is recognised, that's different to being what I consider to be a celebrity. My job is an actor and that's what I'm passionate about and adore. It's a privilege to be able to do this job for a living.
I love a good Steve Martin, Martin Short scene where they're being super physical - I don't mean to compare myself - but I relate to their type of comedy because they do crazy stuff but come at it in an honest way.
I have Margaery Tyrell's - I didn't take it, I was given it - but yes, David [Benioff] and Dan [Weiss] gave me Margaery Tyrell's wedding crown. So that is sitting on my bookshelf.
I do so hope he plays us 'The Rains of Castamere.' It has been an hour. I've forgotten how it goes -- Olenna Tyrell, the HBIC
The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
I sit every once in a while and I think about plays and films I can do with William Petersen into our eighties. He's the most incredible scene partner I've ever had.
It's my job to get us in good plays, or more importantly, out of bad plays.
It's my job to get us in good plays, or more importantly, out of bad plays. That's what I did.
Plays by people like Martin McDonagh and Brian Friel attract huge audiences, not because they're Irish, but because they're brilliant plays.
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he really felt his job - part of his job, as an assistant [to the] director was to make the collection available to interested people.
To me, a spouse should be a life partner AND a business partner. Just like any good partner, her strengths must make up for my weaknesses and vice versa.
Two of an actress's greatest assets are love and pain. A great actress, even a good actress, must have plenty of both in her life.
Be a good example and hope the partner gets the hint. Any partner who would attempt to sabotage my fitness regime I would leave... wrong partner.
You have to be talentedly insecure in order to be a good actress. And then it's the director's job to make you more miserable and get a good take.
I'm, like, y'know, I didn't have a problem doing one scene in Dude, Where's My Car? I'm certainly not going to have a problem doing one scene in a [Martin] Scorsese movie!
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