A Quote by Stephanie Corneliussen
A lot of the composing posture you see in Joanna I actually took from Lauren Bacall from 'To Have or Have Not.' I absolutely adored that movie as a kid, and I just remembered this woman who was so statuesque, and I was like, 'I want to do that.'
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If you've got the body and the chutzpah, a pencil skirt is so sexy on older women. Look for ones that fall just below the knee. Think 1940s, cinched-in jackets - imagine you are Lauren Bacall on a date with Humphrey Bogart and you just absolutely have to wear very high heels.
Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.
I'd really love to dress Lauren Bacall. She's incredibly interesting - a gorgeous, stylish woman with a strong personality.
I wanted to live where I could pop to the bar that Humphrey Bogart took Lauren Bacall to, or the little restaurant where Charlie Chaplin had a booth.
When I die, I want to be remembered as a woman who lived in the twentieth century and who dared to be a catalyst of change. I don't want to be remembered as the first black woman who went to Congress. And I don't even want to be remembered as the first woman who happened to be black to make a bid for the Presidency I want to be remembered as a woman who fought for change in the twentieth century. That's what I want.
It's cinematographic to smoke. Imagine Lauren Bacall without a cigarette.
I know a lot of animal communicators and I think a lot of them are just good behaviorists because they pick up on a lot little posture things like how the eyes look, the posture of the cat ears, is it tense? They're picking up just a lot of their body cues from the dog, the cat or the horse.
I would love to have read about myself being compared to Lauren Bacall.
Jeanne Moreau, Lauren Bacall, they had this unconventional beauty, this amazing charisma.
Lauren Bacall, James Garner, and Jack Lemmon - they're all gone now, but I was so impressed by them.
He named me. He liked the sound of it. And I said, well, all right. I felt a little odd about it. I don't understand all that name changing business anyway... No, he felt that Lauren Bacall was better sounding than Betty Bacall. He had a vision of his own. He was a svengali. He wanted to mold me. He wanted to control me. And he did until Mr. Bogart got involved.
Joan Rivers telling Lauren Bacall her dress is all wrong is like Carrot Top telling Lenny Bruce he needs to get an edge.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
I'd love to play a femme fatale in a film noir. I'm thinking of one of those roles that Lauren Bacall or Bette Davis might have played. What I wouldn't like is to suddenly find myself being cast, as many senior actresses seem to be, as the abbess in a convent.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.
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