A Quote by Stephanie D'Abruzzo

The reality of an actor's life is that we do not always have the luxury of choice. We take what comes to us. — © Stephanie D'Abruzzo
The reality of an actor's life is that we do not always have the luxury of choice. We take what comes to us.
It was never my intention to be an actor, and I don't know if I'll ever call myself an actor because I've always said that would be a slap in the face to proper actors, but it's fun, and thankfully, I've had the luxury in my adult life that anything I've done has been fun.
Being an actor is really odd. So, don't take that as your reality - take your family, take your friends, take your relationships - that's your reality. And hang on to them.
To take the choice of another ... to forget their concrete reality, to abstract them, to forget that you are a node in a matrix, that actions have consequences. We must not take the choice of another being. What is community but a means to ... for all we individuals to have ... our choices.
Sometimes choice is a luxury that fate does not afford us.
I always felt that with luxury came cruelty. I do my best to live a happy, prosperous life, but I don't indulge in a lot of luxury.
I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
God and the devil are inherent in each of us. It's our choice to make: you can take the road to good, you can take the road to bad. Well, we have a choice.
This Budget reflects a choice - not an easy choice, but the right choice. And when you think about it, the only choice. The choice to take the responsible, prudent path to fiscal stability, economic growth and opportunity.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
There is no reality except the one contained within us. That is why so many people live such an unreal life. They take the images outside them for reality and never allow the world within to assert itself.
For me, I always have to establish a reality for the character. In very actor-y terms, you just have to understand his reality.
I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.
I have always been a martial artist by choice, an actor by profession, but above all, am actualising myself to be an artist of life.
I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.
There's no reality except the one contained within us. That's why so many people live an unreal life. They take images outside them for reality and never allow the world within them to assert itself.
Prison life taught him how little one can get along with, and what extraordinary spiritual freedom and peace such simplification can bring. I remember again, ironically, that today more of us in the world have the luxury of choice between simplicity and complication of life. And for the most part, we, who could choose simplicity, choose complication. War, prison, survival periods, enforce a form of simplicity on us. The monk and the nun choose it of their own free will. But if one accidentally finds it, as I have for a few days, one finds also the serenity it brings.
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