A Quote by Stephanie Leonidas
The stunt team were great on Defiance. They were there, every day.
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The A's were a team with very few resources. We didn't have access to players who were obviously great, who could do it all and were always in the headlines. We couldn't afford those types of players. So we had to figure out a way of cobbling together players into a team that might be competitive.
Every great basketball team, every team that's on a championship journey takes steps each year, taking a step further than they were the year before.
My best holidays were in Devon and Cornwall when the children were growing up. We always used to stay on farms because our children were pretty wild, and it was great going to the beach every day. We used to go to Launceston and Salcombe and all over those two counties.
Everybody has a stunt except me. Every single person has a stunt, but I don't have a stunt, there's nothing. No wire, no pulling. I try to get in on the danger, but there's nothing.
They called themselves The Souls. They told Ms. Olinski that they were The Souls before they were a team, but she told them that they were a team as soon as they became The Souls. Then after a while, teacher and team agreed that they were arguing chicken-or-egg. Whichever way it began--chicken-or-egg, team-or-The Souls--it definitely ended with an egg. Definitely, an egg.
Chris Jericho and I were really excited about teaming together, but we didn't get to sink our teeth into what we could have done as a team. We really wanted to throw it back to the glory days of Pat Patterson and Ray Stevens. We were committed, we were coming up with team moves, and all of the things were made to work.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
Our prisons are very bad. When I was in Ikoyi prison, people were dying every day. They were carrying bodies out of the prison every day.
A nasty day! A nasty day! 'Twas thus I heard a critic say Because the skies were bleak and gray— And yet it somehow seemed to me The day was all that it should be. I looked it very closely o'er; Its hours still were twenty-four, With sixty minutes each—no less— For deeds of good and helpfulness; And every second full of chance To give the day significance; And every hour full of growth For everybody but the sloth— I couldn't see it quite that way, For though the skies were bleak and gray The day itself, it seemed to me, Was all a day could rightly be.
And some days, he went on, were days of hearing every trump and trill of the universe. Some days were good for tasting and some for touching. And some days were good for all the senses at once. This day now, he nodded, smelled as if a great and nameless orchard had grown up overnight beyond the hills to fill the entire visible land with its warm freshness. The air felt like rain, but there were no clouds.
I will do anything, and I do almost everything myself. But when there is something extra heinous to do, I have a great stunt double, Eddie Davenport, and a great stunt coordinator, Jeff Wolfe.
Every time - well, not every time, but in celebration of a great review or a great accolade, I take the team of Daniel to Katz's Deli for lunch. We take the trip on the subway, we were like 40 or 50 people, and we go in the back room and have a pastrami sandwich.
There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.
When I played in a 21-team league, there were six or seven goalies who were just average, and the equipment and pads were smaller. I came in the right era. I played for the right team. It was all speed, and creativity and imagination.
We talk about, 'Wow, thank God that we were out when we were, because it was much easier then.' There wasn't paparazzi following you every step of your day, every move you make.
Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.
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