A Quote by Stephanie Mills

Even before coming into the industry, I was a big fan of Motown, the Jackson 5, Gladys Knight, the Temptations, Diana Ross and The Supremes. — © Stephanie Mills
Even before coming into the industry, I was a big fan of Motown, the Jackson 5, Gladys Knight, the Temptations, Diana Ross and The Supremes.
With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
For me, the highlight was meeting all the Motown acts, as I adore black soul music. I met Stevie Wonder who I love, and Diana Ross And The Supremes. I also met The Carpenters. I was actually there in the studio when they recorded We've Only Just Begun.
My earliest influence was Quincy Jones. I thought 'The Wiz' soundtrack was the most amazing thing I'd ever heard. It was my first record and you had Michael Jackson, Ted Ross, Nipsey Russell and Diana Ross on it. I even took it to show and tell in third grade!
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I would love to do a biopic of a famous singer, like Diana Ross or Donna Summer, or an old jazz story that we haven't seen before. I would love to do that! I would love to play Diana Ross 'cause she's an icon. I'm salivating to do that.
My mum used to listen to Motown. Diana Ross was my first singing teacher, really. I'd just sing along all the time.
Stevie Wonder and Diana Ross and the Jackson 5, that's what I grew up on.
I thought wasn't nobody supposed to get gold records except those people on Motown, like Smokey Robinson and Diana Ross.
One of the only things I've regretted was saying yes to a TV special, 'Motown Mania,' and I said I'll sing you a Diana Ross song. It was just naff.
Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.
There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all.
I was on tour with Michael Jackson for a while; I did the 'Dangerous' and 'History' tours. I was also on tour with Diana Ross.
When we talk about my music, it's a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It's the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.
As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
My introduction to Motown was through The Jackson Five and Michael Jackson. Michael's been my greatest creative inspiration, so that's how I really became familiar with Motown as a whole, and as I got older, I learned far more about the other groups.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
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