A Quote by Stephanie Ruhle

If you commit to too many things, they become miserable experiences. — © Stephanie Ruhle
If you commit to too many things, they become miserable experiences.
I had learned from my reading that you can do really awful things when you are bored, things that are bound to make you miserable. In fact, you do them in order to become miserable, so you won't have to be bored anymore.
I believe life experiences are what an actor needs to relate to the character roles they take on, and to say the least, I've had many experiences leading up to this moment. Not only have my experiences become a tremendous asset in my acting, but also they helped me discover who I am and who I want to be.
It is weakness, says the Vedanta, which is the cause of all misery in this world. Weakness is the one cause of suffering. We become miserable because we are weak. We lie, steal, kill and commit other crimes, because we are weak. We die because we are weak. Where there is nothing to weaken us, there is no death nor sorrow. We are miserable through delusion. Give up the delusion and the whole thing vanishes.
I was miserable the entire time I was Vanity. I spent so many days and so many nights crying, hating who I'd become.
I think what's wrong with too many people is they're too reserved. They're miserable, but they don't want to talk about it.
To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to the violence of our times.
I'm a big kid. I never lost my childlike appreciation of things. Too many people lock it out and throw their toys away and say, okay, I'm gonna grow up and be grumpy and miserable and not think about the magical side of things anymore -- and I can't seem to stop doing that.
People who commit monstrous crimes are not necessarily monsters. If they were, things would be easy. But they aren't and it is one of the experiences of life.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
We have been told many times that we have become too big, but these are things that only someone who has no idea of the size of the competition can say. We are too small.
Hui and E'dawn have many talents, and I can learn a lot from them. But they just lack experience. When I am with them, I feel like I become very innocent, and it motivates me. I guess it's because I am too used to performing as a soloist, and things have become too comfortable hitting the stage alone.
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
The ego, as a collection of our past experiences, is continually offering miserable lines of thought. It's as if there were a stream with little fish swimming by, and when we hook one of them there is a judgment. The ego is constantly judging everybody and everything. It has its constant little chit chat about things that can happen in the future, things about the past, too, and these are the little fish that swim by. And what we learn to do-this is why it takes work-is to not reach out and grab a fish.
It is a miserable state of mind to have few things to desire and many things to fear.
We need people who can actually do things. We have too many bosses and too few workers. More college graduates ought to become plumbers or electricians, then go home at night and read Shakespeare.
I do understand what it is to not want to commit to someone, knowing that might bring pain or commit to a life that has to do with being responsible to people other than myself. These things, I think, are normal things.
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