A Quote by Stephanie Ruhle
Very early in my career, I almost went to journalism school.
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I finished high school and studied at the University of Nebraska in the school of journalism, which really turned me onto journalism. I never finished, but the very little that I did learn in two-and-a-half-years prepared me for a career in legitimate journalism, which included WWE, AWA, WCW, and everything in-between.
One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.
Drama school was the first place I learned that looks can affect your career. It was very horrible at the time. I had a lot of very bad experiences at drama school because of that, from the teachers and the students. In the end, I think it was good for me because it hardened me to the realities of the business early on.
Almost everything I've learned about journalism has been from other friends who are journalists, taking advantage of the money I hope they don't think they threw away at j-school. I studied comparative literature, but the professional vagaries of journalism I've learned through other people's trial and error, and my own.
I was a newspaper editor in high school, and I truly thought of journalism as a career. I loved it.
Our mission is to help people discover and support great journalism. But something like Blendle, asking micropayments for journalism, hasn't been done before on this scale and with our broad support from media companies. So we want to do it well and listen very carefully to the feedback of our users first. That feedback from the early community is very important to us.
At a school in Massachusetts where I once worked, we managed early on through consensus. Which sounds wonderful, but it was just a very, very difficult way to sort of manage anything, because convincing everybody to do one particular thing, especially if it was hard, was almost impossible.
I don't think there's any connection between my journalism career and my film career. They are two totally different mediums and very different skills.
I left high school very early. I was 17. So I guess it wasn't that early, but I did not get a high school education.
I was bullied pretty badly especially in middle school. High school was not as bad as middle school, but I was not a macho kid at all. And the kids saw me as different from a very, very early age.
I was in the journalism program in college and had some internships in print journalism during the summers. The plan was to go to Columbia University Graduate School of Journalism to learn broadcasting after I graduated. I was enrolled and everything, but ultimately decided that I could never afford to pay back the loan I'd have to take out.
I have a degree in journalism, which is something that I make very clear very frequently just so people are aware of it. I went to school to write... Editorial integrity is very important to me.
I went to journalism school, so sometimes writing the script of 'Being Mary Jane' is me putting my journalism hat on.
I attended law school, the progression into a career in corporate law was almost foreordained. I set about to craft a career reflective of my values. These included: public service, environmental protection, and leadership development. Trusting my instincts, following my heart, enabled me to create a calling that became a career.
I got very lucky to work with Wes Craven, very early on in my career, and continued to work with Wes for almost 19 years. I learned so much from him, and about his sense of story and his sense of horror, and that was great to be a part of.
My early career was a real rush of movies and stardom - it was almost overwhelming.
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