A Quote by Stephanie S. Tolan

How do we know imagination isn't just a different way of knowing something? A message from outside. — © Stephanie S. Tolan
How do we know imagination isn't just a different way of knowing something? A message from outside.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
It [cats going outside the litter box] might have something to do with - you know, I am just thinking that if I am the cat, when I'm pooping, you know, I've got to strain a little bit more and maybe that affects how the kitty litter feels on my paws. I'd try a different sub straight, or something like that - make sure it's not slippery.
"The Anatomy of Terror: From the Death of Bin Laden to the Rise of the Islamic State": I was happy that we finally got him. And a lot of my colleagues and friends that I know who sacrificed so much, some of them their lives, you know, finally can rest, knowing that he's dead.But also, at the same time, I kind of was troubled that we are now not fighting an organization anymore. The terrorists, the threat mutated to a message. Bin Laden accomplished something way bigger. He had a message that was spreading around the Muslim world.
When I sing, it's different from when I speak in a very interesting way. I think that, when you're singing, a message is carried in a different way. I don't know if that emotion needs a melody.
I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching.
It's a very, very exciting time, but you can't help thinking or not quite knowing how it's seen from the outside. You're constantly in a state of terror or regret, not quite knowing how things are going to pan out, or whether you've made the right decisions. But, maybe that's just what it's like. Maybe that's just the life of it.
If a film has a social message, it is very important for me to know what the message is and how it's going to be delivered, but it's not something I look for all the time.
Most of the things that really matter require faith. 'How do I know that my wife loves me?' 'How do I know that Mozart's 'Jupiter Symphony' is sublime and beautiful?' There are all sorts of things which come at a more lowly level than that - 'How do I know that two plus two equals four?' There are different layers, different types of knowing.
Most of the things that really matter require faith. How do I know that my wife loves me? How do I know that Mozarts Jupiter Symphony is sublime and beautiful? There are all sorts of things which come at a more lowly level than that - How do I know that two plus two equals four? There are different layers, different types of knowing.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
A large part of the impresario's job has to do with maintaining and communicating standards of performance. Knowing how to set those standards - which are often more subjective than analytical - means knowing how to communicate the difference between something that is great and something that is just O.K.
For just being a black artist in rock n' roll and be able to step outside and create, and make great music. And just be different. Just a different breed. And that's what I love about Jimi Hendrix's music - the way he plays the guitar is so different. He's just an icon all around.
I suppose I could claim that I had suspected that the world was a cheap and shoddy sham, a bad cover for something deeper and weirder and infinitely more strange, and that, in some way, I already know the truth. But I think that's just how the world has always been. And even now I know the truth, the world still seems cheap and shoddy. Different world, different shoddy, but that's how it feels.
People will say, 'How do I get abs like you?' I don't know. We're all different. If my girlfriend did what I did, hiking and yoga for a workout, it would affect her body in a different way. That's the message that I really want to get out there. I'm trying to counteract that culture.
I think that in the cultural imagination, motherhood has a primacy that fatherhood just doesn't; and that's not to say that there aren't many fathers who are active and engaged and for whom that is their life's passion. But somehow, in the imagination, there's something different about maternity.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
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