A Quote by Stephanie Winston Wolkoff
If I don't know something, I'll tell you I don't know it. If I'm not sure about something, I'll say I'm not sure.
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When I had to say something that I didn't like to Turkey, but of which I was sure, I said it, with the consequences that you all know [Editor's note: a reference to his comments on the Armenian Genocide]. I said these words ... I was sure
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that...they say anything's possible, right?
I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though." "That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something." I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear. "Maybe I'm already sure," he says, "and I just don't want to frighten you." I laugh a little. "Then you should know better." "Fine," he says. "Then I love you.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
The work of the artist is not so much what you say or what you know, it's recognizing what you know. That's what life is about. That's what photography is about. You see something, or you hear someone say something, and you say That is a truth. You know, deep in you. That's when you start shooting.
Two or three things I know for sure, and one of them is the way you can both hate and love something you are not sure you understand.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
That is something that I always want to do when I arrive somewhere is to know about the culture of the country, about the club and make sure I know what it takes to wear the jersey.
Make sure you comfort everybody, because you have so much power. The influence you do have, make sure you use that for the right things that's going to propel you, and propel your company. It's not always about making profit. I know y'all know how to make profit, and I know that's what it's about! But I'm very happy that I can come here and tell you I'm someone that has not been driven by the profit. You can succeed with the people.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
In formulating any philosophy the first consideration must always be: What can we know? That is, what can we be sure we know, or sure that we know we knew it, if indeed it is at all knowable. Or have we simply forgotten it and are too embarrassed to say anything? Descartes hinted at the problem when he wrote, 'My mind can never know my body, although it has become quite friendly with my legs.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
For us it's always about making sure that there's substance, that things are well thought out, they're real, they're going to happen versus just haphazardly making Hollywood type announcements. So that's where we are there [on Comic-Con], just making sure that when we do something to say that it's something.
I looked over at him. "Is that a proposal?" There was total silence for a couple beats. "I'm not sure. It just popped out." "Let me know when you're sure." "Would you say yes?" Morelli asked. "I'm not sure.
They told me that I had a leaky valve, which is something that is certainly not life-threatening. It's common and it's something that had I not known about it, would I have lived? Sure. But it's something that I think is important to know, especially as I get older and given that I have heart disease in my family.
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