A Quote by Stephanie Winston Wolkoff
My favorite event of the season is the Costume Institute Gala at the Met in May. To that I'll wear custom Vera Wang.
Related Quotes
My favorite pair of shoes I've worn for a role would have to be the brown Vera Wang combat boots that Jo wears in her everyday life away from the hospital on 'Grey's Anatomy.' I love them because they are also something I would wear in my everyday life.
I always loved Michelle Kwan's outfits. Most of them were designed by Vera Wang, and they're just so simple, but the fabric that they used and the way that it was sewn together look so elegant and rich. You could tell that time had been put into it. It wasn't just another spandex, stucco-covered costume.
Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer. So my being able to reach the masses was something that meant a great deal to me - especially for women who could never wear Vera Wang.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
I always finish off my look with a spritz of Vera Wang Pink Princess.
I'm kind of obsessed with wedges, but I go to a regular high school, so I'm not going to be wearing Vera Wang there.
I love my Michael Kors, Ralph Lauren, Carolina Herrera, Vera Wang. I've grown up with them.
My dresses are designed to win, so going through it, I think about, what do I want to represent? So, definitely, Vera Wang has been an inspiration for me.
Now, with social media, it's a whole different world, which is good and bad. Back when I was in college, when there was no Twitter, no one knew what Vera Wang looked like - there was no face to the brand.
I'm a festive guy to begin with and Halloween is my favorite holiday. I went all out on this one costume. It's a ghoul that makes me approximately 10 feet tall when I wear it. I actually got an offer to work at a haunted house because the costume is so great, and I did it for about an hour and a half before I got too cold and had to quit to go inside. Michigan winters are no joke.
I love New York City in the fall, and one of my favorite events of the season is the annual World of Children Award Gala, at which I have the profound pleasure of meeting the newest class of changemakers for children who are there to receive their World of Children Award.
It's for all the women who embrace my aesthetic, but can't afford a Vera Wang dress. If women can get anything out of it - a little bit of me or a lot of me, that's what's important.
I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women. Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one's head as a designer. So my being able to reach the masses was something that meant a great deal to me - especially for women who could never wear Vera Wang.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
A burger is a black dress; a kebab is a Met Gala gown.
When I go out or to an event, I'll wear blue jeans and a shirt. And sometimes when I go to an event I'll wear camouflage. It depends what kind of mood I'm in.
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