A Quote by Stephanie Zacharek

It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor; it's even harder to care about being able to tell. — © Stephanie Zacharek
It's impossible to tell what's going on at any given moment in Tomb of the Dragon Emperor; it's even harder to care about being able to tell.
In our own times, you see, an emperor came to the city of Rome, where there's the temple of an emperor, where there's a fisherman's tomb. And so that pious and Christian emperor, wishing to beg for health, for salvation from the Lord, did not proceed to the temple of a proud emperor, but to the tomb of a fisherman, where he could imitate that fisherman in humility, so that he, being thus approached, might then obtain something from the Lord, which a haughty emperor would be quite unable to earn.
If I talk about my father's funeral, as I did when I was promoting the last novel, 'Being Dead,' I'm not going to tell any lies, but there are certain things I'm not going to tell you, and I'm certainly not going to tell my grief.
And so I tell you this: be now and forever centered upon your Self. Look to see what you are being, doing, and having in any given moment, not what's going on with another.
So the point is, I don't have a right to tell anybody what's right or wrong about their lives. Who am I to tell you at any given moment of the day what would be right for you?
At the time I thought what I had with you and your mother was better than nothing. But if you can't tell the truth to the people you care about the most, eventually you stop being able to tell the truth to yourself.
St. Cyril of Jerusalem, in instructing catechumens, wrote: “The dragon sits by the side of the road, watching those who pass. Beware lest he devour you. We go to the Father of Souls, but it is necessary to pass by the dragon.” No matter what form the dragon may take, it is of this mysterious passage past him, or into his jaws, that stories of any depth will always be concerned to tell, and this being the case, it requires considerable courage at any time, in any country, not to turn away from the storyteller.
When I choose a role, what I'm looking for is the ability is to tell our stories. Me being a black woman, that's just a given. It's going to be a part of any role I do, making sure I tell it truthfully and nuanced and in a way that many people can relate to.
A journalist enjoys a privileged position. In exchange for not being able to participate in the rough-and-tumble issues of a community, we are given license to observe it all, based on the understanding that we'll tell everyone what happens fairly and squarely. That's harder than it sounds.
If I tell you that I would be disobeying the god and on that account it is impossible for me to keep quiet, you won't be persuaded by me, taking it that I am ionizing. And if I tell you that it is the greatest good for a human being to have discussions every day about virtue and the other things you hear me talking about, examining myself and others, and that the unexamined life is not livable for a human being, you will be even less persuaded.
In terms of being able to adapt to any situation on any given night, in any given moment and that just comes with nearly twenty years of experience and paying attention to the guys that I've tried to emulate throughout my career.
I'd like the campaigning to be about all the things they're not going to do. Just tell me what you're not going do! Don't tell me what you're going to do. Just say "I'd really like to do solar energy but I'm not going to be able to. I really want to dig holes everywhere in the country but I really won't be able to do it because people seem to think that maybe my water will be screwed up."
Nobody has any right to tell you what you aren't capable of. If you're meant to, you're able to. There is no such thing as impossible.
When I was writing 'Trick it,' the inspiration for this song came out of nowhere! The song is about the little white lies you tell to people you care about, even though you can always tell the truth.
I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
I don't ever approach anything from the issue first, so I can't tell you that I've thought about tackling universal health care. I'd have to have some great story I'd want to tell, and then universal health care would become part of the way to tell that story.
The thing is you can never sugarcoat anything, If you're going to tell a story, tell the truth. If you're going to tell something, why not tell it all?
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