A Quote by Stephanie Zacharek

Pan's Labyrinth works on so many levels that it seems to change shape even as you watch it. It is, at times, a joyless picture, and its pall of sadness can begin to weigh you down.
Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.
Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number really. How many more times will you remember a certain afternoon of your childhood, an afternoon that is so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more, perhaps not even that. How many more times will you watch the full moon rise? Perhaps 20. And yet it all seems limitless.
This inner peace of mind occurs on three levels of understanding. Physical quietness seems the easiest to achieve, although there are levels and levels of this too, as attested by the ability of Hindu mystics to live buried alive for many days. Mental quietness, in which one has no wandering thoughts at all, seems more difficult, but can be achieved. But value quietness, in which one has no wandering desires at all but simply performs the acts of his life without desire, that seems the hardest.
'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
There's a book called 'Where The Wild Things Are,' by American writer Maurice Sendak... it really is the most sublime book. It's a picture book, but it works at so many levels, and it's fantastic.
I think 'Pan's Labyrinth' is genius.
I thought Pan's Labyrinth was one of the greatest films I've ever seen, just pure artistry. Guillermo Del Toro is just really something, this guy. And he's a real mensch: down-to-earth, funny, huggy, and terrific.
I'd love to make a film like 'Pan's Labyrinth.'
One is called to live nonviolently, even if the change one works for seems impossible.
After all this time, it seems to me like straight and fast is the only way out- but I choose the labyrinth. The labyrinth blows, but I choose it.
With a painter or a sculptor, one cannot begin to alter his works, but an architect has to put up with anything, because he makes utility objects - the building is there to be used, and times change.
I've got a guy in my office that works 24/7 to shut down websites that are putting 'Dead Air' on the net for free - ripping us off. The problem is many people are of the mindset that says, 'If I can watch it for free, I'll watch it.'
I'm kind of a scaredy cat - I don't watch a ton of them. I mean, I started reaching this script at night and had to wait until the next morning to finish it so it would be light out. It really scared me. The scary movies I like are The Others and Pan's Labyrinth - they're so scary but they're about real things, and hopefully this is too.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
Surprisingly, fish works great for sheet pan dinners because it cooks quickly through direct pan contact.
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