A Quote by Stephanie Zacharek
This film "Phantom" takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
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In the Broadway world, I've always wanted to play Valjean in 'Les Mis', since I've already played Gavroche. I'd also like to play the Phantom of the Opera, but I haven't really thought about any film characters. You've got to have a whole lot of training for the Phantom role, vocally.
The thing about a motion picture is that look of film on a big screen takes you into a magical.
You hear about Broadway your whole life, and I learned what it meant to work on Broadway in 'The Phantom of the Opera.'
It's hard being a Broadway actor going into film where you have to tone everything down. In theater, everything you're taught is to be big and broad and make everyone feel like they are right next to you, even in the last row of seats.
I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film.
I'm very aware of the fact that Broadway musicals being brought to the screen are very few and far between, and it's important to continue that relationship between Broadway and film. It's a privilege and an honor for me to be instrumental in some way in keeping that alive.
If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
The new Bond film, will be a big, big hit, because every Bond film is an event. Fathers take their sons to it; probably grandfathers. It's been a long time, and I think that the success of Bond is because the audiences have never been cheated by the producers. They always spend every penny, put it on the screen, and then the things that people expect to see in a Bond film - big action scenes, glamorous ladies - it's pure escapism.
Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.
Actors should be writers. While a writer puts the story on paper, an actor puts it on screen.
Graphic novel genre become really quite popular. It's really a big screen film genre that they have successfully moved into the small screen.
Superstar,' my first Gujarati film is a game changer for the Gujarati film industry. When I saw it on the big screen, I had goosebumps.
I did my first film Junglee and it became a hit. That film was the first one to bring the real colour on the big screen, which was Eastmancolor.
Phantom Films is an established production house and it will help to spread awareness about the documentary film 'Katiyabaaz' among the audience. I saw this film and I loved it. Then we decided to support this film.
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