A Quote by Stephanie Zacharek

Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.
For me, it's really important that the experience of art is always something that is able to provoke strong emotion, an emotion that you feel in your heart or your stomach, but also that challenges the brain at the same time. It's an experience - physical and intellectual.
There's a lot of mythological stories you can tell. There's not just one. I appreciate all of those different kinds, but what I was personally missing was grand, classic, true-north hero. Pure and simple emotion, and also aiming for big time emotion, like love story as well, in a very sincere way. Like 'Superman: The Movie' had done for me.
Stories can encourage us and embolden us to face ourselves and to feel. Stories can make us feel less alone. If we're reading a story that moves us, we can feel that emotion that I feel towards my father or mother or girlfriend. So they can give us late-night company.
In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
All of us want to be part of something bigger than ourselves, something that matters.
To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
This kingdom of God life is not a matter of waking up each morning with a list of chores or an agenda to be tended to, left on our bedside table by the Holy Spirit for us while we slept. We wake up already immersed in a large story of creation and covenant, of Israel and Jesus, the story of Jesus and the stories that Jesus told. We let ourselves be formed by these formative stories, and especially as we listen to the stories that Jesus tells, get a feel for the way he does it, the way he talks, the way he treats people, the Jesus way.
I believe a novel must first of all be a good story. My hope is that the spiritual message is woven in so well, is such a part of the fabric of the story and of the characters' lives, that it is subtle but meaningful. This is difficult to do well and is something I constantly endeavor to improve.
What interest, zest, or excitement can there be in achieving the right way, unless we are enabled to feel that the wrong way is also a possible and a natural way, nay, more, a menacing and an imminent way? And what sense can there be in condemning ourselves for taking the wrong way, unless we need have done nothing of the sort, unless the right way was open to us as well? I cannot understand the willingness to act, no matter how we feel, without the belief that acts are really good and bad.
Well, jazz is to me, a complete lifestyle. It's bigger than a word. It's a much bigger force than just something that you can say. It's something that you have to feel. It's something that you have to live.
You know, there's so many great bands out there, visual bands, that we have to do something that makes us individual, and makes us stick out from everybody else, and something that is even bigger than just the music.
Thanksgiving reminds us that no matter our differences, we're still one people, part of something bigger than ourselves.
The feeling we experience while we look at a picture is not to be distinguished from the picture or from ourselves. the feeling, picture, and ourselves are united in one mystery.
The mind is very wild. The human experience is full of unpredictability and paradox, joys and sorrows, successes and failures. We can't escape any of these experiences in the vast terrain of our existence. It is part of what makes life grand-and it is also why our minds take us on such a crazy ride. If we can train ourselves through meditation to be more open and more accepting toward the wild arc of our experience, if we can lean into the difficulties of life and the ride of our minds, we can become more settled and relaxed amid whatever life brings us.
One of the Great Truths of human experience is that we will achieve only what we conceive. Life cannot get better than the picture of life we habitually carry around with us. But if we want to, there is a practical way to look at that picture and change it. Here is the way of the Treasure Map.
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