A Quote by Stephen Adly Guirgis
I'm not like a champion of profanity. I write what I hear, and the characters that I write, that's how they talk. That's how I talk a lot of the time. So I'm not trying to advance a social cause.
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I don't talk very well. With writing, you've time to get it right. Also I've found the more I talk the less I write, and if I didn't write no one would want me to talk anyway.
My process is pretty messy, and there's a lot of creative destruction in it. When I set out to write something, I'll write some passages from it just to figure out who these characters are, how they talk. And I have a dim sense of what it's about and where it's going to go, but I know that's going to change, too.
The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
I hear people talk in my head, and I write it down. I choose where they live and how they dress to be real.
I spent many years trying to write a lot like Ben Folds or John Lennon or Rivers Cuomo. I think that's healthy when you're learning to write and seeing how chords fit together and how songs take shape.
I try to write a lot and my process is kind of back and forth. I procrastinate a lot so when I do sit down to write, I'm pretty lazy at it. And it's such a frustrating thing sometimes - writing - when you don't do it all the time, you get that thing in your head that you have nothing to talk about and you can't write songs.
You are a real champion. You talk a lot over the past six months and it is going to be great to show you inside the ring how it is better to resolve wars. Let's talk in the office.
From my vantage point, when I'm criticized in a way that I can hear what's being said - i.e., the issues - I'm more likely to listen and respond. A lot of the personal email I receive consists of name calling; I'll write back and say: Talk to me like I'm a person and you're a person and tell me where you disagree with me. I can't tell you how that turns people upside down. More often than not they write back with an apology and a reasoned argument.
I don't want to write lines where characters tell me exactly how they feel; I want to see people talk about anything but their feelings, like they do in real life.
You don't learn how to say 'hey, I have a problem,' but you also don't learn how to hear it. There's a total breakdown of how females talk to one another. It's very disconcerting for leadership because it means you don't talk to each other; you talk about each other.
I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
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