A Quote by Stephen Amell

I'm still an actor who wants to work all the time. — © Stephen Amell
I'm still an actor who wants to work all the time.

Quote Topics

I think actors are divided into two groups: one that wants to be an actor to become famous and rich, and the other that wants to be an actor because they have to be. I'm more in the second group.
If a musician wants to be an actor, everyone thinks that's pretty cool. But if an actor wants to play a song, even if they've been doing it for 40 years, that's bad news.
Dustin Hoffman said this one time, that if he hadn't made it as a film star, he would still be happy as a character actor because he was a character actor because of his face from day one, so he would always work in the theater.
I remember when I worked with Fassbinder in Germany, actors wrote letters to him. But you see, a director wants to discover you himself. He doesn't want the actor to say, 'oh, I'd love to work with you' - the actor says that to other people, too.
How long can you bank on your body and your face to help you get roles in films? At the end of the day, anyone who wants to be known as an actor wants to be appreciated for his/her work.
Everyone who comes to the entertainment industry wants to be a film actor. Who wants to be a television actor by choice? I want to change the perception of Indian television as being the poor man's medium.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
I'm still waiting to hit it big. But there was the moment when I didn't have to work at the restaurant anymore, which is the milestone for every actor. When your job is just to be an actor and not to have to do anything else.
I think every film actor secretly wants to be a rock star as well; just that part of the job which requires the extrovert in you. Even if you've become an actor because it's your way of hiding in plain sight, there's still part of you which has that craving.
I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.
Well, you know what? The actor still gets up in the morning, if he's still got something to work with, you go out there and you do it. Never quit!
With Marco Silva, the way he coaches players, he has that knowledge: he wants the best out of you, basically. He wants something out of you all the time, and having seen him work in a short space of time, it's only going to improve.
It's incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.
I am not a person who just wants to be an actor. Do you know what I mean? I am an artist who wants to speak to people through his work: through his vessel.
A good director will always identify the actor whom he wants to work with.
Every actor wants to find a piece of work that's innovative and powerful and moving.
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