A Quote by Stephen Amell
It's never me saying, 'When is my day over?' It's more, 'When do they legally have to get me off of the lot, based on when I have to be back the next day?' The first call is a big thing in the acting world and in the union world. There needs to be a 12 hour period, and I need it.
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The first time I was in the ring, I wasn't good at it, and I honestly thought, 'Maybe this isn't for me.' Then I went back the next day and the next day and the next day... because I loved it more than anything.
The next day, we shot 'I Want You Back,' and that was a 14-hour day. That's typical. By the end of the day, my knees and ankles are killing me.
Now that mine is almost over, I can say that the one thing that struck me most about life is the capacity for change. One day you're a person and the next day they tell you you're a dog. At first it's hard to bear, but after a while you learn not to look at it as a loss. There's even a moment when it becomes exhilarating to realize just how little needs to stay the same for you to continue the effort they call, for lack of a better word, being human.
It would be nice if they didn't make me get up at 5 A.M. for a 12-hour day. My caravan is never big enough to lie down. There is no little doze. You are knackered by the time you get home. Knackered.
I've taken people and fired them over a period of a year. I've fired them over a period of a month. I've fired them over a period of a day or a week, nice and easy, slow. The one thing that a firing always has in common is the next day they wake up and they hate Donald Trump, no matter how nice you are.
When I was a model at 15, I was eating one red pepper a day, and if I had a big day of castings, I would survive off a bag of Haribo, which gave me the 500 calories a day that would keep me alive. I was congratulated daily on my appearance - the more vertebrae upon my back you could count, the better my auditions went.
It's a 12-hour cooking class for me on the set of 'Chopped.' You'd think I'd get sick of it, but it's a source of endless interest to me. The only thing I don't like about it is it's a long day and my feet hurt. Otherwise, I love it.
I used to get comments off people saying, 'I think it's a disgrace, you need to be relaxing, you're pregnant, you need to take the next 10 months off!' But that doesn't suit me or my lifestyle or the way I feel about myself. I train a lot for anxiety, it makes me feel good and I like it.
The day my father died seemed longer than my entire childhood. The day I felt my first success seemed fleeting, hour-long, not long enough perhaps. I wondered where it went. Even the cycle of time confounds me. I work till dark, until sunrise on most days and fall asleep as the world awakens to light. My friends call me an owl. I like to think of myself as Batman – the prince of darkness.
Now on the first day of Christmas, my homeboy gave to me
A sack of the krazy glue and told me to smoke it up slowly.
Now on the second day of Christmas, my homeboy gave to me
A fifth of Hendog and told me to take my mind off that weed.
Now by the third day of Christmas, my big homeboy gave to me
A whole lot of everything, and it wasn't nuthin' but game to me.
I know first hand what its like to be called names and to be affected by things. They would call me fat, they would call me promiscuous in different words. At the time, when I was 12-years-old, that was like the end of the world. To me, bullying is one of my biggest platforms. Lets change the world.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
My work is very dear to me, and certainly I have had all the emotional highs and lows that go with trying to get it to an audience. But I do have some kind of detachment that seems somewhat unusual in my trade. I'm a writer who writes every day. I don't have a period of months where I can't get anything done and I wander around tearing my hair out. When I come back from a book tour, for instance, I might have one day where I sleep late and then check my e-mail, and then go for a walk, and then the next day I'm really itching to get back at writing a story.
The game was that of continually inventing a possible world, or a piece of a possible world, and then of comparing it with the real world... a race without end... What mattered more than the answers were the questions... For me, this world of questions and the provisional, this chase after an answer that was always put off to the next day, all that was euphoric. I lived in the future... I had turned my anxiety into my profession.
I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.
Yeah, back in 2003, I went to 'Australian Idol' the first day as a boy, and I got knocked out. So I went back the next day in drag and made it into the Top 12 and got a record deal and toured around Australia.
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