A Quote by Stephen Baldwin

I really comprehend the fact that some of what I have to say sounds a little weird. But the more and more I purge myself of the stuff that had my focus so turned away from God, the more I shred myself, the more I have a greater connection to God. And what I know now that I didn't know then is that's why I'm here.
I'm maybe too rude with myself but the fact is that I don't know music theory so I can't tell myself "it's ok now I make good stuff," I need to improve more and more.
In an age of information overload ... the last thing any of us needs is more information about God. We need the practice of incarnation, by which God saves the lives of those whose intellectual assent has turned them dry as dust, who have run frighteningly low on the Bread of Life, who are dying to know more God in their bodies. Not more about God. More God.
Wouldn't it be wonderful if we had a world where everybody said, 'We don't know?' The fact is that you're surrounded -God and you don't see God, because you KNOW ABOUT God. The final barrier to the vision of God is your God concept. You miss God because you think you know. The highest knowledge of God is to know God as unknowable. All revelations, however divine, are never any more than a finger pointing at the moon. As we say in the East, 'When the sage points to the moon, all the idiot sees is the finger'.
More than ever I find myself in the hands of God. This (illness) is what I have wanted all my life from my youth. But now there is a difference; the initiative is entirely with God. It is indeed a profound spiritual experience to know and feel myself so totally in God’s hands.
I’m more comfortable with myself than when I was younger. I hated myself then. Wait, I didn’t hate myself – that’s a strong word. But I was so diffident. I didn’t know how to act, for one. I had no confidence in that area or in myself at all, really. I had a big inner critic and still do. I just don’t listen to it so much.
We will not wish we had made more money, acquired more stuff, lived more comfortably, taken more vacations, watched more television, pursued greater retirement, or been more successful in the eyes of this world. Instead, we will wish we had given more of ourselves to living for the day when every nation, tribe, people, and language will bow around the throne and sing the praises of the Savior who delights in radical obedience and the God who deserves eternal worship.
They who know most of God on earth or heaven know that they know little after all; but they know that they may know more and more of Him throughout eternal ages.
When people say, "I know God forgives me, but I can't forgive myself," they mean that they have failed an idol, whose approval is more important than God's.
Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."
I felt more comfortable playing other people than being myself, when I was a kid. And then, the tables turned. Through my performances, I've become more comfortable with who I am, and then I just bring more of myself into the people that I play.
I had tried, as I thought as a nun, to open myself to God and God seemed totally uninterested in me. The heavens remained closed and opaque. I now realize, of course, that I had a very, very inadequate idea of God. I was expecting clouds to part, a little sort of whisper in my ear, and of course, that's not what God is. God is not another being; we are talking about something much more profound.
I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is.
The first chance I had to go to Japan, which was in the early nineties, I went to a Noh play. I thought, 'This is very, very slow.' I noticed lots of people falling asleep. I didn't really know what was going on; I was getting a little sleepy myself. Then the more I studied it, the more fascinated I got.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
Do you know why God wants you rich? So you can do more. The wealthier you become, the more responsible you are to God.
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