A Quote by Stephen Baldwin
Praise the Lord, but do me a favor, don't ever say 'Stephen Baldwin' and 'ministry' in the same sentence. I make movies, and in Hollywood, that's career suicide.
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Praise the Lord, but do me a favor, don't ever say 'Stephen Baldwin' and 'ministry' in the same sentence.
What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' - but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
People always say to me, "What's wrong with Hollywood? They don't want to make female-driven movies." And that's not where the problem lies. It lies with us, in society. When we make these movies, nobody goes to see them.
For me, I've never been too concerned of what people think of me, so now as the youngest Baldwin brother in Hollywood making movies while simultaneously being a charismatic evangelical born again Christian who's an evangelist - that's a pretty crazy combination.
I love you Lord, you are my strength. The Lord is my rock, my fortress, and my savior. And my God is my rock in whom I find protection. He is my shield, the strength of my salvation, and my stronghold. I will call on the Lord who is worthy of praise. I praise the Lord, my God, my best friend, for giving me the ability, the desire, the love and the guidance that brought me here today. Without you, I would be nothing.
I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.
If Christ lives in us, we will rejoice in everything, and we will thank and praise the Lord. We will say, 'Hallelujah! Praise the Lord' forever.
The Seydoux-Schlumberger industrial empire won't make $100 million movies. Hollywood does that much better. But you don't make movies because of their budgets, you make movies because you believe in them. Setting limits doesn't matter to me.
In Hollywood, they make movies like they make washing machines. It's a business. In Europe, the films are considered art. No producer would ever tell a director where to cut a film or how to re-write the script. I love Hollywood, but all of the time I have to go back to Europe.
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
If you want to be in Hollywood, and if you want to make big international movies, you have to be able to make movies that don't have anything to do with social status or politics. To limit yourself to just do these little small movies and call it black cinema itself is a mistake to me.
I grew up on particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that. It was less about a career than finding the films I wanted to see.
Stephen Hawking's been watching too many Hollywood movies. I think the only kind aliens in Hollywood are the ones created by Steven Spielberg - 'Close Encounters of the Third Kind' and 'E.T.,' for example. All other aliens are trying to suck our brains out.
You hear again and again that audiences want to see movies that are different, and critics say we make the same thing again and again in Hollywood, then you go and make something different, and you get kicked in the gut for it.
You hear again and again that audiences want to see movies that are different and critics say we [directors] make the same thing again and again in Hollywood, then you go and make something different and you get kicked in the gut for it.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
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