A Quote by Stephen Bayley

I have no particular interest in antiquities or antiques, but I like things to meet a certain aesthetic. — © Stephen Bayley
I have no particular interest in antiquities or antiques, but I like things to meet a certain aesthetic.
In life, things do not always stay the same. There are certain alchemies that marry together at particular moments in particular places with particular people.
Atoms are very special: they like certain particular partners, certain particular directions, and so on. It is the job of physics to analyze why each one wants what it wants.
People like to see certain actors do certain things, and people like to see me play that role. I also have no interest in playing a normal girl in a romantic comedy in some cutesy thing.
Nowadays people seem to switch schools, either because they have to, and certain schools only serve certain grades, or because they move to a different place or have some particular interest, but I was in the same school for 13 years
Nowadays people seem to switch schools, either because they have to, and certain schools only serve certain grades, or because they move to a different place or have some particular interest, but I was in the same school for 13 years.
I don't gravitate toward any particular genre. I like to do things that interest me, regardless of genre. I've had a blast doing Cosmos, and I'm said that it's coming to an end. I would like to do something else like that.
We can tell from the imagery a tomb was looted from a particular period of time, and we can alert INTERPOL to watch out for antiquities from that time that may be offered for sale.
As for complicating the black metal aesthetic, I don't care about that since it was never a goal of mine to lay out any particular preconceived aesthetic, let alone one of traditional black metal where pseudonyms are adopted.
If you look at Christmas movies, there are certain things in them that lend themselves to a 'Harold & Kumar' movie. In particular, the more out-of-this-world things like Santa Claus and flying reindeer.
Emotions weren’t created to just lie around. You should experience things to the full. I’ve got a sense of the clock ticking. We have to feel all those things to the maximum. Like, I don’t eat a lot but I really love eating. And I like being precise and particular. There is a certain respect in that. If you can do your day depending on how you feel, and enjoy things as well.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
So long as we refuse to include lottery tickets among the symphonies, or medical bulletins among the overtures, we must refrain from treating the emotions as an aesthetic monopoly of music in general or a certain piece of music in particular.
I like simple, I like quality, and I like less. Do I like a certain aesthetic? Yeah.
Certain movies that are trying to evoke history are just like being in an antique store, and all you notice is that all the stuff has been gathered together, and it feels like a pile of antiques. How can you think that that will evoke the past? It doesn't even have to evoke anything, but anyway, it's how we're living. It's this moment where nobody has to immediately think too much about how things are being documented. It's a great time.
Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
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