A Quote by Stephen Bruner
Japoneese people take themselves very serious and you can see it by everything they do - it's like a different part of the scale or spectrum in being a human, and it's something we're not used to seeing in America. And then when you see it, you do have the moments of infatuation; you get caught up in it, but there's so much more to it.
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Seeing yourself reflected on screen is a very important part of being human. It makes us feel less alone, it make us feel more connected to humanity. Women, gay men, and trans people for a long time have not seen themselves represented, so being able to show the complexities that we all have - just as complex stories as a heterosexual white male - is crucial for us to feel more human and have other people see us as human beings.
I really cite Walt Disney as teaching me everything I know. It sounds crazy, but I'm serious! In 'Bambi,' the mother dies, but you don't see the corpse. You see the father, the stag, come up and you see 'Bambi' alone, and that has so much more impact than seeing a mutilated deer.
If you are doing a piece about somebody, even if you admire them tremendously and express that in the piece, express that admiration, if they're not used to being written about, if they're civilians, [...] they're not used to seeing themselves through other people's eyes. So you will always see them from a slightly different angle than they see themselves, and they feel a little betrayed by that.
There's an overlap of people we've used from previous films and we also like to obviously bring in new people so we get a fresh voice and opinion when you bring them in. All different ages and genders and everything, you just want a wide spectrum of people who are coming in to see what works.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
It's very interesting to see how the music is used, as sometimes you have composed something with a very different intention, and then suddenly you see it connected to something different. For example, it was incredibly strong and beautiful the first time I saw 'This Is England' by Shane Meadows.
When we kind of get caught up in the minutiae, the details that make us all different, I think there's two ways of seeing that. There's an opportunity to see the texture of that person, the characteristics that make them unique. And then there's an opportunity to go to war about it and to say that that person is different from me and I don't like you, so let's battle.
Women are just beginning to see that; there's something about being a woman that's innately different from being a man. I love what I'm seeing take place and I know Julia has so much to offer.
I think teenagers in the States grow up too fast. In Canada, kids are exposed to different things. Like school is very different; it's not nearly as social. Canadian teenagers see it as a much more serious place.
I would like to see more new productions of new material by new composers/lyricists/book writers. I would like to see people take more chances. I think because everything costs so much they're not taking the chances they used to.
It's always exciting to see different cities I love, and go on tour buses. It's so much fun to travel. My favorite part is being able to perform live in front of all these amazing people; being able to connect with them and seeing their reaction makes me feel very special.
I had to get used to seeing Samantha Bee around. I had to get used to seeing Jon, like, getting a bagel, and to John Oliver, and all these people whom I had seen on TV. Colbert would sometimes drop by. I had to get used to being a part of this multiple-Emmy-winning machine and being this 22-year-old black girl who was really green.
There's something about seeing someone who has actually no real supernatural powers and only being able to throw things with precision that kind of makes people be like, 'Oh, I can see that. I can put that person in real life, and I can see it play out as a human being.'
The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
(As human beings) We see everything everything in a glass, darkly. Sometimes we can peer through the glass and catch a glimpse of what is on the other side. If we were to polish the glass clean, we'd see much more. But then we would no longer see ourselves.
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