A Quote by Stephen Chbosky

And I never felt that good in my life. But I also felt bad because I saw her naked without her permission. — © Stephen Chbosky
And I never felt that good in my life. But I also felt bad because I saw her naked without her permission.
I felt that thread that had come between us, tugging, tugging at my heart - so hard, it hurt me. A hundred times I almost rose, almost went in to her; a hundred times I thought, Go to her! Why are you waiting? Go back to her side! But every time, I thought of what would happen if I did. I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.
I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath come upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.
That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened the next tress About her neck; her cheek once more Blushed bright beneath my burning kiss . . .
In the short summer night she learned so much. She would have thought a woman would have died of shame... She felt, now, she had come to the real bedrock of her nature, and was essentially shameless. She was her sensual self, naked an unashamed. She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how onself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.
of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.
The first time he'd held her hand, it felt so good that it crowded out all the bad things. It felt better than anything had ever hurt.
I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially.
Jacks stood beside her. Instead of saying anything, she felt his fingers trace up her palm and then lace into hers. He had taken her hand before, quickly and for functional reasons—usually to drag her off to someplace she didn’t want to go—but he had never held her hand. Not the way couples did in parks or lovers did in old movies. Maddy stood there and felt the heat of his grip. It made her think of that first night in the diner, when they had talked about pretend memories and she had felt so connected to him.
Shane, in case we don’t … don’t come out of this, I wanted to say…” He glanced over at her, and she felt her whole body warm from it. She remembered that look. It made her feel naked inside and out, but not in a creepy kind of way. In a way that felt…. Free. “If what you say is true, and I guess it has to be, I think I know why we’re … together,” he said. “I think I’d fall for you no matter what, Claire. You’re kind of awesome.
it seemed a lifetime ago i'd lain in bed with Lena and felt her breath tickling my chin and held her while she slept, felt her heart beating through her skin to mine. it was a lifetime ago. everything was different.
She told Papa about it. He made her stick out her tongue and he felt her wrist. He shook his head sadly and said, "You have a bad case, a very bad case." "Of what?" "Growing up.
During my grandma's funeral, I looked over once and saw my mom crying, and I felt so bad for her.
It’s a risk I’m willing to take. This happens once in a lifetime. You meet someone and have this crazy reaction … you touch her skin and it’s the best skin you’ve ever felt, and no perfume on earth could be better than her smell, and you know you could never be bored with her because she’s interesting even when she’s doing nothing. Even without knowing everything about her, you get her. You know who she is, and it works for you on every level.
Is your queen what you are searching for in a woman, Froi?" "I never imagined I was looking for something in a woman. But if I did, I'd have to judge her by the way I felt laying beside her before I went to sleep at night and how I felt in the morning waking up to her." "Oh, too profound, my friend. Much too profound.
I felt really happy to be able to film together with Korea's most beautiful actress. Everyone thinks it's because of her outward appearance that Song Hye-kyo became famous, but after working together, I realized her inner heart and personality are also good. Moreover, she has lots of acting experience, and I actually did learn a lot from her.
[On Marilyn Monroe:] I think my response to her death was the common one: it came to me with the impact of a personal deprivation but I also felt it as I might a catastrophe in history or in nature; there was less in life, there was less of life, because she had ceased to exist. In her loss life itself had been injured.
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