A Quote by Stephen Chbosky

Not everyone has a sob story, Charlie, and even if they do, it's no excuse. — © Stephen Chbosky
Not everyone has a sob story, Charlie, and even if they do, it's no excuse.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
I usually sob in 'Scandal,' and I don't even know what it is. I just sob. 'Cause I usually watch it alone, too, and I'll binge-watch it.
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
Sob, heavy world Sob as you spin, Mantled in mist Remote from the happy.
Charlie Christian showed me a lot, and was a great help, but even then, I realised that if I was going to make it, it was no use copying Charlie
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
I know Charlie Kaufman really well, for instance. Charlie Kaufman starts a story, and he has no freaking idea where he's going. None. Zero. And he doesn't want to know, because there's a little bit of death in that.
But Charlie, Charlie, how can we ever really know anything? Charlie, what or who is God?
Me? I'm no sob story. I get paid well, and I live comfortably.
Doing action, the thing is it's cool to watch it, and as a guy I like seeing it. With the romance thing it's something everyone can relate to. Once you have love as a motivator in a story, I think everyone can do anything. Once someone's in love they can do the craziest thing that no one's ever thought of. You have that excuse to do whatever you want.
I met Charlie Trotter before I actually saw him in person; I was 24 when I first opened the pages of Charlie's cookbook 'Charlie Trotter's' and was greeted by a man I would know and admire for the next 20 years.
I don't have the songwriter's obligatory sob story. My sister and I both had a very happy, normal childhood and we've turned into sensible adults.
Scared isn't a good excuse. Scared is the excuse everyone has always used.
Ignorance of the law of irreducibility was no excuse. I could no longer excuse myself with the claim that I didn't know the law -- for knowledge of self and of the world is the law that, even though unattainable, cannot be broken, and no one can excuse himself by saying that he doesn't know it. . . . The renewed originality of the sin is this: I have to carry out my unknowing, I shall be sinning originally against life.
I don't feel pressure, I think there's fun to have. And I want to show that being gay and of color doesn't have to be a sob story all the time. It can actually be really jokes and empowering.
For this moment, this one moment, we are together. I press you to me. Come, pain, feed on me. Bury your fangs in my flesh. Tear me asunder. I sob, I sob.
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