A Quote by Stephen Chbosky
How about your favorite book?" "This Side of Paradise by From. Scott Fitzgerald." "Why?" "Because it was the last one I read." This made them laugh because they knew I meant it honest, not show-off. Then they told me their favorites, and we sat quiet.
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Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.
Every now and then, someone will tell me that one of my books has made them laugh out loud. I never believe them because: a.) my books don't make me laugh out loud; and b.) sometimes I have said this to a writer, when really what I meant was, 'Your book made me smile appreciatively.'
I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
I really like 'This Side of Paradise' by F. Scott Fitzgerald. I think it's a cool description of a character.
They were made up names in Dune that I didn't know how to pronounce, but I knew how I should sound because I was a sci-fi fan myself. I hadn't read the book, but I knew that I was the princess of the universe. I went in and sort of made her up, and David Lynch thought it matched and cast me.
"So you're always honest," I said. "Aren't you?" "No," I told him. "I'm not." "Well, that's good to know, I guess." "I'm not saying I'm a liar," I told him. He raised his eyebrows. "That's not how I meant it, anyways." "How'd you mean it, then?" "I just...I don't always say what I feel." "Why not?" "Because the truth sometimes hurts," I said. "Yeah," he said. "So do lies, though."
Novels by British writers are among my favorites because our family has enjoyed travel in England and because they are written with an economy of words as if they were written with a pen instead of a computer. Penelope Fitzgerald is a favorite.
What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.
Because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, because no matter how angry you got, they still belonged to you.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
They asked if I knew what 'conscientious objector' meant. I told them that when the white man asked me to go off somewhere and fight and maybe die to preserve the way the white man treated the black man in America, then my conscience made me object.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
'Catcher In The Rye' was my favorite book, honestly. I read it when I was thirteen, and the book was a bit of a family heirloom because it was passed down from my grandfather to my father to my older brother and then to me.
In such novels as This Side of Paradise and The Great Gatsby, Fitzgerald depicts the spirit of the hour which is usually about 4 a.m. His suave young men, always commuting between Princeton and The Plaza in Stutz Bearcats never sat still for long. It was too uncomfortable, with a large flask in the hip pocket.
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
We keep quiet about what we read. Our enjoyment of a book remains a jealously guarded secret. Perhaps because there`s no need to talk, or because it takes time to distill what we've read before we can say anything. Silence is our guarantee of intimacy. We might have finished reading but we`re still living the book.
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