A Quote by Stephen Chbosky

Patrick started driving really fast, and just before we got to the tunnel. Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Sam screamed the fun scream, and there it was. Downtown lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. and in that moment, I swear we were infinite.
I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.
Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.
I was suddenly very aware of the fact it was me standing up in that tunnel with the wind over my face. Not caring if I saw downtown. Not even thinking about it. Because I was standing in the tunnel. And I was really there. And that was enough to make me feel infinite.
It seemed like life was a sort of narrowing tunnel Right when you were born, the tunnel was huge. You could be anything,. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size....I figured on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.
Downtown. Lights on buildings and everything that makes you wonder. And in that moment, I swear we were infinite.
It's always been a desire of mine to work with my parents, so Wild at Heart was a wish come true. The first day we did a scene together I came down the stairs and my mom pointed that finger at me: "Don't you dare talk to that boy again!" You know, I've seen that finger for 23 years. And I started laughing, she started laughing, then the whole crew broke up - in that moment, they all knew that she and I had been there before.
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
I started down but Sam caught my arm and knelt down himself to look. "For crying out loud," he said. "It's a racoon." "Poor thing," I said. "It could be a rabid baby-killer," Cole told me primly. "Shut up," Sam said pleasantly.
I started with the chorus of that song, kind of like a fun bouncy thing to play, and then one of the lines popped up: 'I got things to do today, people to see, things to say.' I wrote about a dozen verses for it, but no song needs to be that long unless you're Bob Dylan. So when we recorded it I started to tear it down to some of the lines I thought were the funniest.
I started going blind and my optic nerves of my eye started giving me tunnel vision. I also started fainting a bit and struggling to think. I felt a lot of pressure in my head all the time. That was when it got too much. I'm in a very, very fortunate position now where I've had it taken out once. And now it's back I'm being monitored. I think people at home should be checked for this.
I guess telling stories is an art. I never looked at it that way. I just started talking, and everyone started laughing. So I kept talking, and they kept laughing.
I can see it. This one moment when you know you’re not a sad story. You’re alive. And you stand up and see the lights and the buildings and everything that makes you wonder. And you’re listening to that song in that drive with the people you love most in this world. And in this moment I swear… we are infinite.
When I was preparing for '1994,' the song for Deena and Sam was 'Fast Car' by Tracy Chapman. I just really love that song so much, and I think the lyrics really hit home and reminded me of their dynamic.
Describing life out of the public eye to David Letterman, December 6th, 1996 It's been different. I started driving again. I started cooking again. My driving's better than my cooking. George has discovered Sam's Club.
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