A Quote by Stephen Colbert

If I'm doing a talk show or an interview, or pretty much anything where I can't control the context, I'm loath to do the character. — © Stephen Colbert
If I'm doing a talk show or an interview, or pretty much anything where I can't control the context, I'm loath to do the character.
I think you can talk about anything if the context is correctly arranged. If you set up the context and you bring the audience along carefully enough with you, you can get them to cross the line with you. What I try to do is talk about things that bother me, and I hope that in doing so I bother other people.
I don't know how many times I can sit there and talk about my character or my life. It's interesting to talk about experiences in the context of something you're doing for somebody else, and particularly if you can persuade others to join you in your support.
'Wicked' is so hard-core, physically and mentally, for the whole three hours, that doing that show for two years has pretty much prepared me for anything.
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
Except for talk radio, liberals pretty much control the culture.
Maybe the real subject of every interview is how you really can't learn much of anything about anyone from an interview.
The trouble is that my heart is loath to be without love even for a single hour. ... If you want to keep me forever, then show as much friendship as love, and more than anything else, love me and tell me the truth.
I pretty much choose anything I do in life based on whether or not I can work in my PJs. Certainly one of the perks of doing an animated film is that you don't have to go and get ready and wear wardrobe, and you just show up in whatever you're wearing.
We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.
You can talk about pretty much anything in the barbershop.
In a way, I don't create anything; I just open myself to the character, and the character takes over. Of course, I'm aware of it, and I'm driving it, but I don't try to control it. If I try to control it, it goes wrong.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
The whole climate change debate gives - and there are all kinds of quotes from adherents of and promoters of climate change - the reason they're doing it is it's such a great opportunity to control, you know, pretty much, government, and control your lives.
When America installs a minimum income, it's going to be doing it in a very different historical context than Switzerland or Sweden or Germany, or any other country might do it. And we're doing it in a context where it has the potential, I think, for much better consequences than in those other countries.
I guess the best advice I ever got or anyone could get for doing a talk show, though it has not been easy very often, was from Jack Paar, who said, 'Kid, don't make it an interview. Interviews have clipboards, and you're like David Frost. Make it a conversation.'
I was doing a talk show in Vancouver, and somebody called in a bomb threat to protest my violence, which I thought was pretty strange. We had to evacuate.
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