A Quote by Stephen Colbert

I'm not here to affect you politically or socially. I'm here to make you laugh. I use the news as the palette for my jokes. — © Stephen Colbert
I'm not here to affect you politically or socially. I'm here to make you laugh. I use the news as the palette for my jokes.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
I use a lot of humor, and I follow the saying that if you want to tell people the truth, you better make them laugh first, otherwise, they will shoot you. So I can tell you a joke and maybe you will laugh at the beginning. But it's not about telling jokes.
What most news people don't comprehend is that most of the public are not heavy information seekers - unlike journalists and the smaller portion of the population that is socially, politically and economically active.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
The funny thing is, when I've gone through the relentless editing process, my editor and I are amazed the Mercy Watson books still make us laugh. The same jokes that made us laugh the first time around still make us laugh in the 16th rendition.
We have to laugh. Life is hard and the news is often grim - you should be able to turn on NPR's Weekend Edition every week and know that we are going to make you think, make you question - and make you laugh, preferably out loud.
We want to make it socially, morally, politically and religiously unacceptable to have substandard housing and homelessness.
Something about not waiting for the laugh of a laugh track allows you to take lines that otherwise might be seen as just direct jokes, and make them seem realistic.
I've always thought for myself, that's something I want to focus on - color palette and the use of color. Rather than using it in a way that other makeup artists might, I try to enhance the color palette with the girl to really bring out her sickest features and make her look absolutely the best she can.
I use mother-in-law jokes, kid jokes, tax jokes - anything that works.
You may call me a Klansman if you will, but, potentially, every white man is a Klansman, as far as the Negro in competition with whites socially, economically and politically is concerned, and there is no use lying.
My whole thing as a performer is to affect people, whether I make you cry or I make you laugh. I would love to make you think.
To me, racist jokes are not funny. I am politically correct, in a weird way. I like to push the boundaries that are politically correct.
Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.
My audience expects me to push the limits, to be politically incorrect. I do that because for me, that's the only place where the fun is, when I get to push the boundaries and make people laugh at things that they probably didn't want to laugh at.
Not all artists have a responsibility to be socially or politically aware, but they do have a responsibility to make great art. They have to find some truth and put that in their music.
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