A Quote by Stephen Colletti
Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.
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I'm kind of lucky that we've finished shooting 'Cougar Town,' so I'm able to kind of just enjoy my pregnancy and be a stay-at-home mom and go to prenatal Pilates and do all that fun stuff that, if I were working, would be almost impossible to do.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
There have been so many moments in our young life and our young career, but looking back it would have been great to share some of those with my family members, or have not worked so hard, I would always just be working during some of the fun times.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
Ricky Washington is from a Baptist church in Miami, Florida, and he can pretty much sing anything. We just started working it up at soundcheck, and holy smokes, it's just great! The audience gets to singing. So there's that stuff to do - find some old obscure R&B stuff - because we can do it justice.
I just went into my studio and started to compile stuff. I was so happy with what was coming out that good momentum just carried over and when I would listen back to some of the riffs and some of the ideas, I was completely happy because I felt like, "wow, this was a breakthrough!" The ideas and the songs were really strong and I couldn't wait to show everybody the stuff.
I've done some things that have been quite interesting, but as grateful as I am for having been on 'Dynasty,' it was just so cheesy. That's half the reason it was so much fun for people to watch, but it's not so fun to have to say those lines.
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
Some people just don't want to put in the effort. I just show up and say some lines and I'm famous. Anyone living below the poverty line just needs to shape up or be shipped out, you know?
I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.
The adrenaline is pumping before or during a game - you're excited, you're anxious. But the biggest things are just having fun and being confident. There really is no alternative because you just can't be negative. And a huge part of developing that confidence is by working hard every day, and I don't think that is limited to the baseball field. I think that bleeds over to all aspects of anything that you're doing or working on in life.
I was living in a loft with Dave Sitek - this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.
Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.
I have friends say, "Don't you want to have a little you?" The jury's still out on that for me. I don't have a definitive answer, but I do know that I can look back on some of the things I've worked on and some of the things that have literally come out of my imagination and be just as proud of it as if I had created a person. I feel like that shouldn't be of any less value. It can't be because it's what my life is, and I don't want to make it smaller or more palatable just because society tells you to. If you can get comfortable with sacrifice, then you are having it all.
There would be weeks when I'd just go to Paris on a cheap ticket, sleep on my friend's floor, and just do a show because I knew I was going to do a show. Do it, get home, see it on my timeline, and be happy that I was just working.
Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."
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