A Quote by Stephen Collins
Aaron is not at all what his image might indicate. He's fiercly loyal and a true and total gentleman. He's very shy but has very strong opinions. He's into everything, wardrobe, hair, script, casting.
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Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to... y'know, we'll plan ideas and we'll certainly tussle about stuff when the script comes out. So, to a certain extent, he's very interested. If there's some problem or something that doesn't ring true, he wants to know why and he wants to correct it or fight for it.
You form pretty strong opinions about the guys you compete against. You're all very competitive; you're all very selfish. So it's easy to drum up some strong opinions in a second's notice, like, 'Argh! This guy!'
A true gentleman is at a disadvantage in dealing with women. Women are realists, and their tactics are realistic, so no man should be a gentleman where women are concerned unless the women are very, very old or very, very young. Women admire gentlemen, and sleep with cads.
What is it to be a gentleman? Is it to be honest, to be gentle, to be generous, to be brave, to be wise, and, possessing all these qualities, to exercise them in the most graceful outward manner? Ought a gentleman to be a loyal son, a true husband, an honest father? Ought his life to be decent, his bills to be paid, his taste to be high and elegant, his aims in life lofty and noble?
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I see a lot of disloyalty around. I'm very loyal to people and that supersedes, frankly, party lines. But I'm very, very loyal to people and I'm also very loyal to people that I think are good for the country.
Whoever is open, loyal, true; of humane and affable demeanour; honourable himself, and in his judgement of others; faithful to his word as to law, and faithful alike to God and man....such a man is a true gentleman.
The thing about Hitchcock which is quite extraordinary for a director of that time, he had a very strong sense of his own image and publicizing himself. Just a very strong sense of himself as the character of Hitchcock.
A script is a very rough material in a way. Whatever questions you might have regarding the script, you might find the beginning of the answers in the book.
The best filmmakers have a very familial attitude in sort of embracing the set, beyond the cast, with the wardrobe, and the hair and makeup, and the props, just making everybody feel very familial.
I try not to have too specific notions because it messes up the process later on. I leave it very open to interpretation until I start casting. Everything changes a lot when you start casting. I mean everything.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I named my album Year of the Gentleman. Just looking at how the essence of what it is to be a gentleman is very much lacking nowadays. Someone said to me that chivalry is dead, and I hated to have to agree, but it's true.
Queen Victoria was loyal and true to the Pope; that is what I was told, and so is Edward the Seventh loyal and true, but he has got something contrary in his body.
Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.
It is community and respect, of course, but the dead have more claims on you than what you might want to admit or even what you might know about and them claims can be very strong indeed. Very strong indeed.
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