A Quote by Stephen Covey
To be successful we must live from our imaginations, not from our memories.
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I can state with complete assurance that for each of us our brains form the material basis of our experiences and memories, our imaginations, our dreams.
Colonialism is the massive fog that has clouded our imaginations regarding who we could be, excised our memories of who we once were, and numbed our understanding of our current existence.
The Jungian view of drama would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.
We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
All of us , I believe , carry about in our heads places and landscapes we shall never forget because we have experienced such intensity of life there :places where, like the child that 'feels its life in every limb' in Wordsworth's poem'We are seven' ,our eyes have opened wider, and all our senses have somehow heightened.By way of returning the compliment , we accord these places that have given us such joy a special place in our memories and imaginations. They live on in us, wherever we may be, however far from them.
The way we get to live forever is through memories stored in the hearts and souls of those whose lives we touch. That's our soul print. It's our comfort, our emotional nourishment at the end of the day and the end of a life. How wonderful that they are called up at will and savored randomly. It seems to me we should spend our lives in a conscious state of creating these meaningful moments that live on. Memories matter.
Our dreams must be stronger than our memories. We must be pulled by our dreams, rater than pushed by our memories.
We must overthrow the material and moral conditions of our present-day life. . . . We must first purify our atmosphere and completely transform the milieu in which we live; for it corrupts our instinct and our will, and constricts our heart and our intelligence
Children are our crop, our fields, our earth. They are birds let loose into darkness. They are errors renewed. Still, they are the only source from which may be drawn a life more successful, more knowing than our own. Somehow they will do one thing, take one step further, they will see the summit. We believe in it, the radiance that streams from the future, from days we will not see. Children must live, must triumph. Children must die; that is an idea we cannot accept.
I don't suppose any man has ever understood any woman since the beginning of things. You don't understand our imaginations, how wild our imaginations can be.
We have ... dreamed so much and observed so little, that our imaginations have grown larger than the world we live in, and our judgments have dwindled down to a point.
We live and move and think; but we are not the creators of our own origin and existence. We are not the arbiters of every motion of our own complicated nature; we are not the masters of our own imaginations and moods of mental being.
Speaking as a novelist myself, I know that members of our profession live in our imaginations as much or more as we inhabit what people call 'the real world.
The domestic lives we live - which may be accidental, or not entirely of our making - help to make possible our writing lives; our imaginations are freed, or stimulated, by the very prospect of companionship, quiet, a predictable and consoling routine.
The entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising our memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room.
I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions. The Jungian view would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.
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